YUSEF MILLER
- AEA,
- NON-UNION
Résumé Print Résumé
Commercial | ||
|---|---|---|
Chase - Freedom |
Comic (extra performer) |
Chase |
Budweiser |
Subway Joker |
Anheuser Busch |
NAACP |
Nay Sayer |
NAACP |
Television/Film | ||
Ambition's Debt |
Cinna, The Poet |
Uwaki Film, LLC |
Pilot (untitled) |
Poet/Narrator (lead) |
On Program Web Series |
Law & Order |
Greg (supporting) |
NBC |
Patent Leather Scars (short film) |
Jimmy (lead) |
Dir: Bart Capuano |
Last Call |
Darly (lead) |
Raw Impressions - Ripfest #5 |
The Education of Max Bickford |
Deli Man (Supporting) |
CBS - Dir: Don Scardino |
New York Stage | ||
A Small Oak Tree Runs Red |
Sidney Johnson |
Dir. Harry Lennix |
Karaoke |
Man 3 |
Dir David Mendizabal |
This Time by James Baldwin |
The Voice & Dancer |
Chor: Dianne McIntyre |
Ndebele Funeral |
Thabo (lead) |
Dir: Awoye Timbo |
Beowulf |
Reverie Productions |
Dir: Tania Inessa Kirkman |
Ain't Supposed to Die a Natural Death |
The Classical Theatre of Harlem |
Dir: Alfred Preisser |
Swooney Planet/Suitcase Trilogy |
Ma-Yi Theatre Company |
Dir: Ron Daniels |
Antebellum (reading) |
Playwrights Horizons |
Dir: Robert O'Hara |
Death of the Last... |
Lincoln Center Directors Lab |
Dir: Nadine George-Graves |
The Blacks: A Clown Show |
Classical Stage Company/CTH |
Dir: Christopher McElroen |
Vassar Summer Retreat/Workshop |
New York Theatre Workshop |
Dir: James Nicola |
Bootycandy |
Partial Comfort |
Dir: Robert O'Hara |
January 1, 2000 |
HERE Arts Center/LCT Dir. Lab |
Dir: Chad Stutz |
Red Rain |
HERE Arts Center/LCT Dir. Lab |
Dire: Ilesa Duncan |
International Stage | ||
Silence and Fear |
Andy Shroud |
Theatre Du Pays De Redon, Fran |
Ndebele Funeral |
Thabo |
Edinburgh - Scotland UK |
Ndebele Funeral |
Thabo |
Sky Community Centre, Soweto |
Ndebele Funeral |
Thabo |
969 Festival, Joburg, SA |
Ndebele Funeral |
Thabo |
The Playhouse, Durban, SA |
Ndebele Funeral |
Thabo |
Steve Biko Centre, SA |
Regional Stage | ||
Train to 2010 |
Sifiso Ndaba |
Dir: Ricardo Khan |
Blue |
Cincinnati Playhouse/Geva |
Dir: Kenny Leon |
Thoroughly Modern Millie |
LaJolla Playhouse |
Dir: Michael Mayer |
Polk County |
Arena Stage |
Dir: Kyle Donnelly |
A Christmas Carol |
Alliance Theatre |
Kenny Leon |
University of California, San Diego | ||
Boesman and Lena |
Mandel-Weiss Theatre |
Athol Fugard |
Joint Stock Project |
Mandel-Weiss Theatre |
Les Waters |
Once in a Lifetime |
LaJolla Playhouse |
Steve Cosson |
A Country Affair |
LaJolla Playhouse |
Anne Kaufman |
Twelfth Night |
LaJolla Playhouse |
Jonathan Silverstein |
Physical Characteristics / Measurements |
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|---|---|---|
Height: 5'9" |
Weight: 160 lbs |
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chant, meditate, VR host, train dogs, marathoner, theatre teachng artist, speak middle english, visual artist, empathic, playwright, cook, curator, small business creator, screenwriter, climb trees, poet, Badminton, Baseball, Basketball, Billiards/Pool Player, Boating - Sail, Bowling, Canoeing, Combat - Stage, Cycling, Fishing, Frisbee, Hula Hoop, Ice Skating, Jump Rope, Kayaker, Mountain Climbing, Ping Pong, Pogo Stick, Racquetball, Rock Climber, Roller Skating, Rollerblading, Running - General, Running - Long Distance, Running - Sprint, Sailing, Swimming - ability - general, Tennis, Track & Field, Trampoline, Volleyball, Weight Lifting, Wrestling, Yoga, Audio Prompter, Chef, Chef - Sous, Dance Jazz, Dance Modern, Dancer, Host, Improvisation, Licensed Driver, Modeling, Singer, Stunts, Vocal Range: Bari-Tenor, Vocal Range: Tenor, Voiceover, African Accent, American - New England Accent, American - New York Accent, American - Southern Accent, American - Standard/General Accent, American - Texan Accent, British - BBC English Accent, South African Accent, Fluent Spanish
Yusef‘s acting credits include Off-Broadway, regional, and theatre abroad (Europe & South Africa). His training includes a B.A. at Morehouse College and an M.F.A at UCSD. He is a member of AEA, LCT Director's Lab, and is SAG-AFTRA eligible. Yusef is ‘an orator as much as a mover of rapturous clarity and conviction,’ said the NY Times, in 2014. In 2015, The Daily Beast writes about his Fringe debut ‘Miller’s portrayal of a man resolute to take back some power over his life and destiny is devastatingly moving.’