STACEY BRADSHAW
- NON-UNION
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SlateShot
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Young Wife (Performance Video) Quicktime
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Vulnerable (Performance Video) Quicktime
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Scared (Performance Video) Quicktime
Résumé Print Résumé
Feature Films | ||
|---|---|---|
Touched by Grace |
Lead |
Stonetable Films |
Beautiful One |
Lead |
Sanctum Entertainment |
The Wednesday Morning Breakfast Club |
Lead |
Duke Street Productions |
Providence |
Lead |
Mainstreet Productions |
Unplanned |
Supporting |
Redeemed Movie LLC |
Sleeper Agent |
Suppporting |
Kingdom Sight Studios |
Song of the Tree Frogs |
Supporting |
Menning Films |
Mount Hideaway |
Supporting |
Maverick Monk Productions |
My House |
Supporting |
Mirari Pictures |
Polycarp |
Supporting |
Henline Productions |
77 Chances |
Supporting |
Echolight Studios |
Uncommon |
Supporting |
JC Films |
In His Steps |
Supporting |
Standing Sun Productions |
Finding Boaz |
Supporting |
Daisy May Productions |
Technicolour Daydream |
Supporting |
Cycle Seven Productions |
Short Films | ||
Assana |
Lead |
Staring at Fire Productions |
Endpoint |
Lead |
03 Films |
Across |
Lead |
48 Hour Film Festival |
The Chance of a Lifetime |
Lead |
LU Thesis Film |
Pilgrim |
Lead |
Happy Trails Productions |
The Awaited Dance |
Lead |
Tori Layne Productions |
Daffodil: A Tragedy |
Lead |
Mirari Pictures |
Once Upon a Quarantine |
Lead |
Happy Trails Productions |
Difference Maker |
Lead |
White Hound Productions |
Love Keeper |
Lead |
Mountain Top Films |
Blind Faith |
Lead |
Holy on Fire Productions |
But Maybe This |
Lead |
Mirari Pictures |
Rules for Small Groups |
Lead |
NOVA Christian Films |
Wanted |
Supporting |
Roundtable Productions |
Emergent Force |
Supporting |
03 Films |
One Day |
Supporting |
Cross Line Cinema |
Trafficked: A Model Story |
Supporting |
Avellino Studios |
Closer Than a Sister |
Supporting |
Mirari Pictures |
They Remain |
Supporting |
Juliette Sureau Films |
Worth the Price |
Supporting |
Caleb Wright Films |
American Dream |
Supporting |
Cardboard Camcorder Prod. |
We Are The Dead |
Supporting |
Becky Barker Films |
Justified |
Supporting |
Mirari Pictures |
B.E.K.A.H. |
Supporting |
03 Films |
A Dress for Lydia |
Supporting |
Anthofila Films |
A Lonely Life |
Supporting |
Tomlin Productions |
5 Minutes |
Supporting |
Pellegrino Productions |
The Gifted Hands |
Supporting |
LU Student Film |
What's Left of Barry |
Supporting |
LU Student Film |
Wheelchair |
Supporting |
Fantasmil Films |
Television | ||
Vindication |
Co-Star |
FlyRock Media |
Tales of the Wild West |
Guest Star |
One-Eyed Horse Productions |
Web Series | ||
Romans XIII |
Lead |
Longleaf Studios |
Voiceover | ||
Quicksand |
Supporting |
Lamplighter Theatre |
Fragment, Ep. 2 |
Supporting |
Kingdom Sight Studios |
Theater | ||
Annie Get Your Gun |
Supporting |
Hilltop Players |
Our Town |
Principal |
Hilltop Players |
The Taming of the Shrew |
Principal |
Hilltop Players |
Much Ado About Nothing |
Lead |
Farmville Area Players |
The Sound of Music |
Principal |
Reflections Studio |
The Lion, the Witch, and the Wardrobe |
Lead |
Reflections Studio |
Beauty and the Beast |
Principal |
Reflections Studio |
Cinderella |
Principal |
Reflections Studio |
Heirlooms |
Principal |
Reflections Studio |
Singing | ||
Bryan College Women's Chorus (1 year) |
Soprano |
Dir. Kim Keck |
Bryan College Chorale (1 year) |
Soprano |
Dir. David Luther |
Commonwealth Chorale (3 months) |
Soprano |
Dir. Norma Williams |
Training | ||
B.A. Degree in Theatre |
Bryan College |
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Independent Study of Film (1 year) |
Bryan College |
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Voice Lessons (1.5 years) |
Bryan College |
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Ballroom Dance Lessons (1 year) |
Community College |
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Beginning & Intermediate Stage Movement (2 years) |
Bryan College |
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Physical Characteristics / Measurements |
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|---|---|---|
Height: 5'2" |
Weight: 105 lbs |
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Crochet, Cross-stitch, Knitting, Quilting, Sewing, Swimming - backstroke, Swimming - breast stroke, Swimming - freestyle, Dance Ballroom, Dance Cha Cha, Dance Swing, Firearms, Licensed Driver, Piano, Singer, Vocal Range: Soprano, Voiceover, American - Southern Accent
A southern girl with an old-fashioned heart, Stacey has often been told that she belongs in her favorite era, the 1940's and '50's. Watching classic films as a child is what first inspired her to become an actress. She started her career on the stage, graduating from college with a B.A. in Theatre, and then switched to film. Almost 50 films later, she is passionately pursuing her desire to tell redemptive stories that will impact the viewer's heart and soul.