SAM SAGENKAHN
- AEA,
- SAG-AFTRA
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SlateShot
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SlateShot
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SlateShot
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SlateShot
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SlateShot
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SlateShot
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Anxious Yoga Student - Comedy (:59) (Performance Video) Quicktime
Stress-Riddled Therapy Patient Takes First Private Yoga Class
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Manipulative Patriarch - DRAMA (:50) (Performance Video) Quicktime
Calculating CEO Manages Daughter's Succession Ambitions
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Lovestruck Accountant - COMEDY (:59) (Performance Video) Quicktime
Awkward Accountant Makes Faux Pas With the Object of His Affections
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Tightly-wound Patient - COMEDY (1:11) (Performance Video) Quicktime
Neurotic Patient Unloads on Sex Therapist
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Concerned Lawyer - PROCEDURAL (1:08) (Performance Video) Quicktime
Well-intentioned Attorney Persuades Client to Alter Defense
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Exasperated Lawyer - PROCEDURAL (0:40) (Performance Video) Quicktime
Frustrated Lawyer Advises Family Friend about Third DUI
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Traumatized Client - DRAMA (0:58) (Performance Video) Quicktime
Husband, Abused as a Child, Seeks Shaman for Understanding
Résumé Print Résumé
WEBSITE | ||
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samsagenkahn.com |
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FULLY VACCINATED (INCLUDING BOOSTER) | ||
FILM/TV | ||
The Dew Drop |
Supporting |
dir. Keiko Ibi* |
*1999 Oscar winner Documentary Short Sub |
"The Personals" |
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Dot Kill |
Supporting |
dir. John Irvin |
The Today Show |
Co-Star |
NBC |
THEATRE | ||
Forensics of Breath |
Walter Collins |
dir. Fay Simpson |
Let's Face It |
Judge Henry |
dir. Thomas Mills |
Asteroid Belt |
Jay |
dir. S. Caden Hethorn |
My Favorite Year |
Herb Lee |
dir. Thomas Mills |
Chekhov's The Sneeze |
Pavel, Misha, Driver |
Jose Quintero Theatre |
Don't Look |
Paul |
dir. Matt Murphy |
Our Country's Good |
Brewer/Campbell |
dir. James Powel |
It's Only A Play |
Ira Drew |
dir. Peter Jensen |
All That He Wanted (reading) |
Arnie |
dir. Peter Miner |
The Three Sister |
Kulygin |
dir. John DiCarlo |
Under The Dragon |
Gary Greene |
dir. Robert King |
CABARET | ||
"Goodbye My Sweet" & "Familiar Things" |
Solo Performances and Co-writer |
dir. Thomas Mills |
2 MAC Nominations |
Don't Tell Mama |
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EDUCATION | ||
New York University |
MBA |
Marketing and Accounting |
University of Pittsburgh |
BS |
Mathmatics and Chemistry |
EDUCATION AND TRAINING | ||
American Academy of Dramatic Arts |
2 Year Evening Program |
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The Actors Center |
Summer Program |
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ON-CAMERA |
Peter Miner, Bob Krakower, Ted Sluberski |
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SCENE STUDY |
Peter Jensen, Harry O'Reilly |
David Caparelliotis |
Carl Forsman, George Dicenzo |
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VOICE |
Natalie Wilson, Barbara Maier |
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LUCID BODY |
Fay Simpson, Prather Rehm, Thiago Felix |
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VOCAL COACHING |
Steve Lutvak, Bill Stanley |
David Brunetti |
SPEECH |
Beth McGuire, Catherine Fitzmaurice |
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IMPROV/CLOWN/MASK |
The PIT-NYC, Judith Searcy, Frank Deal |
Per Brahe |
MICHAEL CHEKHOV TECHNIQUE |
Joanna Merlin, Lenard Petit |
Sarah Kane, Marjolein Baars |
COMMERCIALS |
David Cady, AIA/Three of Us |
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Physical Characteristics / Measurements |
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Height: 5'10" |
Weight: 185 lbs |
Eyes: Brown |
Hair Color: Brown |
Hair Length: Short |
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Dance - Polka, Waltz, Formal Wardrobe, Good with Dogs, Gourmet Cook, Licensed Driver, Manual Dexterity, PC Proficiency, Bowling, Swimming - ability - general, Swimming - backstroke, Swimming - breast stroke, Dance Swing, Dance Tap, Improvisation, Vocal Range: Baritone, American - Southern Accent, British - BBC English Accent
What got me into acting? Maybe seeing Elizabeth Taylor’s “Cleopatra” pretending I was her. Or “The Sound of Music,” thinking I was one of the children. Or when my aunt took me to NYC to see “The Me Nobody Knows.” I spent my business career in entertainment: Sesame Workshop, Today Show, Circle in the Square, NYSCA, MTC, NYSF. When I am not acting, I’m crying at commercials, playing the slots in AC (also sometimes crying), trying unsuccessfully to guess a color, or happily ordering and reheating take-out.