RICHARD RELLA JR.
- AEA,
- SAG-AFTRA
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Demo Reel (02:46) (Performance Video) Quicktime
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Quietly-Defiant Nephew - TULSA KING (0:12) (Performance Video) Quicktime
Grieving Son Carefully Challenges Motive of Estranged Uncle in Covering His Father’s Funeral Costs. (opposite Sylvester Stallone)
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Compassionate Police Detective - PROCEDURAL (00:49) (Performance Video) Quicktime
Veteran Investigator Offers Second Chance To Young First Time Offender With A Bright Future.
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Hedge Fund Shark - DRAMA (01:06) (Performance Video) Quicktime
Overleveraged Trader Gets Mob Wake Up Call.
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Sharp-Eyed NYPD Detective - PROCEDURAL (0:50) (Performance Video) Quicktime
Perceptive Narcotics Unit Investigator Deftly Reads the Ex-Girlfriend of His Prime Suspect During Tense Interview.
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Compromised Attorney - Drama (00:41) (Performance Video) Quicktime
Wary Senior Partner Navigates a Covert Power Struggle with a Charming Associate.
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Manipulative CEO - Drama (0:55) (Performance Video) Quicktime
Disgraced Executive Officer Weaponizes Charm to Dodge Tough Questions from a Determined Reporter.
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“Walk Like a Man” - POP ROCK (Audio Tracks) Quicktime
Richard’s falsetto soars over doo-wop grit, turning heartbreak into swagger and defiance.
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“I Only Have Eyes for You” - POP BALLAD (Audio Tracks) Quicktime
Richard’s vocals, along with his late father’s accompaniment, evoke a hypnotic haze of love and devotion.
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“Rags to Riches” - JAZZ STANDARD (Audio Tracks) Quicktime
Richard’s heartfelt delivery blends seamlessly with a lively arrangement radiating joy, charm, and the thrill of life turning unexpectedly golden.
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Voiceover Demo Reel (1:28) (Audio Tracks) Quicktime
Resonant, Expressive Baritone with a Natural East Coast Edge - Equal Parts Grit and Warmth.
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VO Demo - Children’s Audio Book Narration (0:50) (Audio Tracks) Quicktime
Playful Yet Suspenseful Narration Style, Blending Childlike Wonder with a Touch of Adventure.
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VO Demo - Crime Thriller Audio Book Narration (0:40) (Audio Tracks) Quicktime
Tense, High-Stakes Narration with Urgency and Grit, Capturing the Intensity and Suspense of the Genre.
Résumé Print Résumé
Represented by: |
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Media Artists Group - MAG Talent New York (NY) 212.920.9568 Theatrical (Film / TV), Theatre Ken Park Talent (NY) (212) 920-7012 Theatrical (Film / TV), Commercial, Theatre, Voiceover, Modeling, Print |
WEBSITE: www.richardrellajr.com | ||
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Based in NYC |
imdb.me/richardrellajr |
www.linkedin.com/in/richrella/ |
FILM | ||
True Memoirs of an International Assassin |
Day Player |
Netflix Originals|Jeff Wadlow |
Confessions of a Shopaholic |
Day Player |
Disney | PJ Hogan |
We Need to Talk About Kevin |
Featured Opposite Tilda Swinton |
BBC Films | Lynne Ramsay |
Free Will |
Lead |
William Hart |
The Littlest HB |
Lead |
Yale | Johanna Osborne |
TELEVISION + NEW MEDIA | ||
Tulsa King |
Co-Star |
Paramount+ | Ben Semanoff |
Game Changers: Pilot |
Lead |
Yahoo Studios |
30 Rock: Season 2 and 3 |
Stand-In, Featured |
NBC | Don Scardino |
OFF BROADWAY | ||
Tony N’ Tina’s Wedding |
Swing: The Wedding Singer, Groomsmen |
Hotel Edison|Larry Pellegrini |
NATIONAL TOUR | ||
Tony N’ Tina’s Wedding |
The Wedding Singer |
Kevin Alexander |
NYC Stage | ||
Fool |
Paunt (Lead) |
Gorilla Rep | Michael Lew |
Dessert with Durang |
Frank Hardy (Lead) |
Times Square Arts Center |
REGIONAL THEATER | ||
Scapino |
Scapino |
Shadowlawn Stage |
Breaking Up Is Hard To Do |
Del DelMonaco |
Greenbrier Valley Theater |
Play It Again, Sam |
Allan Felix |
Chris Boyd |
Lend Me a Tenor |
Max |
Dina DiPilato |
COMMERCIALS | ||
Available upon request. |
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EDUCATION | ||
MFA Brooklyn College |
Acting |
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MBA Mercy University |
Organizational Leadership |
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BA Fordham University |
Acting |
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London Academy of Music and Dramatic Arts |
Shakespeare Studies |
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Manhattan School of Music |
Musical Theater Workshop |
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TRAINING | ||
Acting |
Joanna Merlin, Austin Pendleton |
Matthew Maguire, Eva Patton |
Olympia Dukakis, Harriet Bass |
Mary Beth Easley, Tom Bullard |
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David Garfield |
Elizabeth Margid |
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Stanislavski |
Larry Sacharow |
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On-Camera |
Natalie Roy, Alexandra Neil |
Geany Masai |
Improv & Mask |
Rose Bonczek, James Cheatham |
Mark Bell |
Shakespeare |
Rodney Cottier |
Polina Klimovitskaya |
Stage Combat |
Jonathan Waller, James Cheatham |
Russell Rinker |
Dialects |
Charlotte Fleck |
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Musical Theater |
Paul Gemignani |
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Voice |
Carolann Page, Judylee Vivier |
John Albert Harris, Paul Ford |
Dance (Ballet, Jazz, Tap) |
Ginger Thatcher |
Enrique Brown |
Guitar |
Tony Ventura |
Vincent Conigliaro |
REVIEWS | ||
He reads beautifully. He is a truly wonderful actor. |
Austin Pendleton |
Actor/Director |
He’s incredibly likeable and I respect him so much. |
Merri Sugarman |
Tara Rubin Casting |
He is superb, he makes the party a party. |
Carol King |
Daily Gazette |
Impeccable comic timing grounded in honest work. |
Nicholas Linnehan |
New Theater Corps |
(His) act drips with charm and testosterone. |
David L. Schriber |
www.broomeartsmirror.com |
(He) proves a pro at physical comedy. |
Jodi Lee Reifer |
Staten Island Advance |
Physical Characteristics / Measurements |
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Height: 5'8" |
Weight: 170 lbs |
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Bastard Sword, Broad Sword, Rapier and Dagger, Voiceover Artist, US Passport, Baseball, Combat - Stage, Military Serv Exp (Army), Ping Pong, Shooting - Rifle, Shooting - Skeet/Trap, Improvisation, Licensed Driver, Singer, Teleprompter, Vocal Range: Bari-Tenor, Vocal Range: Baritone, Vocal Range: Tenor, Vocal Style: Legit, Voiceover, American - New England Accent, American - New York Accent, British - BBC English Accent, Italian Accent
Shark in a suit meets blue-collar bruiser, with tension and tenderness at the core. Played Stallone’s nephew in Tulsa King, bossed Kevin James in True Memoirs, and shared the screen with Tilda Swinton in We Need to Talk About Kevin. MFA + MBA, trained at LAMDA and Manhattan School of Music. NYC-based. Think Wolf of Wall Street swagger with Modern Family heart. My toddler gives health tips, my teen acts 30, & my Warhammer hobby keeps me sane. Tiny warriors, big battles, major girl dad!