REBECCA AGUIRRE
- NON-UNION
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Screen Reel 2023 (Performance Video) Quicktime
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Fire Arms reel (Performance Video) Quicktime
Résumé Print Résumé
Represented by: |
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Stars, The Agency (CA) (415) 421-6272 / (323) 962-1800 Theatrical (Film / TV), Commercial, Voiceover |
Films | ||
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Moving Out |
Supporting (Hannah) |
2024 (Dir: Marc Girard) |
Our Last Dance |
Lead (Rebecca) |
2022 |
Snatched! |
Supporting Lead (Katherine) |
2022 (Dir: Jade Harris-Tyler) |
Where the Fuck is Grandma |
Lead (Rosie) |
2022 (Dir: Jake O-Hare) |
Commercials (Filmed) | ||
(conflicts on request) |
Speaking Role (Customer) |
Dec 2023 |
Theatre | ||
Widows |
Supporting Lead (Teresa) |
2022 Dir: Matthew Managhan |
Formal Training | ||
Guildford School of Acting |
MA Degree Acting |
2022 |
Guildford School of Acting |
BA(Hons) Degree Theatre |
2020 |
Currently Training With (2023) | ||
Method for Film |
Sally Jackson |
In person weekly coaching |
Stage Milk |
Morgan Bradley |
Monthly scene club & coaching |
All American Voice |
Katherine Beck |
US accent coaching |
Gravy for the Brain |
Peter Dickson, J. Michael Collins, et al |
Voiceover training and coachin |
Physical Characteristics / Measurements |
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Height: 5'2" |
Weight: 114 lbs |
Art & Craft, Dance Teacher, Disability represent, Drama Teacher, Firearms for actors, Lyrical Dancing, PC Gamer, Tap Dancing, Touch Typing, TV Presenting, Archery, Combat - Stage, Shooting - Revolver/Automatic, Shooting - Rifle, Dance Ballet, Dance Ballroom, Dance Jazz, Dance Modern, Dance Tap, Dancer, Firearms, Gamer (Console), Licensed Driver, Singer, Teleprompter, Vocal Range: Mezzo Soprano, Voiceover, American - Standard/General Accent, British - BBC English Accent, British - Cockney Accent
Rebecca made strong acting choices that enabled her to embody her character’s wants and motivation with a great sense of purpose, intensity and urgency. This also enabled other characters in her scenes to respond with a similar level of intensity. Rebecca’s character work and research demonstrated a very accurate and detailed engagement with the character, backed up by strong textual analysis. She had a very calm and professional manner in rehearsal and was a joy to work with. Matthew Monaghan, Director