PHILLIP SOLHEIM
- AEA
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Disgraced Heir | DRAMA (00:43) (Performance Video) Quicktime
Trust Fund Kid Challenges His Father’s Loyalty to the Family Brand When Scandal Breaks.
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Playful Romantic | COMING OF AGE (00:48) (Performance Video) Quicktime
Privileged Student Courts Wary Blue-Collar Classmate.
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Lovestruck Hacker | TECHNO-THRILLER (00:52) (Performance Video) Quicktime
Disciplined Digital Trespasser With Abandonment Issues Confronts His Reckless Partner.
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Perceptive Outsider | INDIE DRAMA (00:52) (Performance Video) Quicktime
Candid Young Expat Unsettles Older Man by Naming the Emotional Distance Neither of Them Can Ignore.
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Confident Provocateur | ROM-COM (00:44) (Performance Video) Quicktime
Quick-Witted Student Turns Playful Mockery into an Unexpected Connection.
Résumé Print Résumé
Represented by: |
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Established Artists (CA) (310) 975-3123 Theatrical (Film / TV), Commercial, Theatre |
GENERAL INFORMATION | ||
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www.phillipsolheim.com |
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Resident in: Los Angeles |
Local housing in: NYC, ATL, & ABQ |
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Instagram: @phillip.solheim |
imdb.me/phillipsolheim |
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FILM | ||
Lines |
Lead |
Dir. Sara Werner |
Masc |
Lead |
Dir. Jason Eldridge |
No Need For a Canvas |
Lead |
Dir. Helion Ng Ruiz |
Exposure |
Lead |
Dir. Skylar Tarkington |
The Last Day of Summer |
Lead |
Dir. Jack Murnin |
Polarized |
Lead |
Dir. Elliana Bertrand |
Finch |
Lead |
Dir. Shannon Johnston |
I Must Confess |
Lead |
Dir. Christina DeSalvo |
Harrison |
Lead |
Dir. Kiera Forse |
A Cry For Help |
Lead |
Dir. Nico Espinoza |
Fission |
Lead |
Dir. Laura Valentine |
Hoes Over Bros |
Supporting |
Dir. Brooke Kinsley |
Simon |
Supporting |
Dir. Christiana Simon |
Pumpkins |
Supporting |
Dir. Zach Bisch |
THEATRE | ||
Spring Awakening |
Moritz Steifel |
Ballyhoo Theatre |
Hair |
Claude Hooper Bukowski |
Ballyhoo Theatre |
Merrily We Roll Along |
Franklin Shepard |
ArtsWest Playhouse |
Deadly |
HH Holmes |
Stage 3 |
Urinetown |
Hot Blades Harry |
Loretto-Hilton Center |
The Pajama Game |
Charley |
5th Avenue Theatre |
Newsies |
Romeo |
Crane River Theatre Company |
Sondheim on Sondheim |
Man 1 |
Loretto-Hilton Center |
Variety Unbound w/ Tony Award Winner, Ali Stroker |
Featured Performer |
Variety Theatre |
Mary Poppins |
Adult Ensemble |
Variety Theatre |
EDUCATION | ||
Screen Actor's Certificate Program |
Zak Barnett Studios |
(Series Regulars, Guest Stars, |
On-Camera, Emotional Access, |
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Moment-to-moment Work, Genre, |
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Specificity, Dramatic Improv) |
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BFA Acting |
The Sargent Conservatory of Theatre Arts |
(Voice, Movement, Period Work, |
at Webster University |
Dialects, Shakespeare, Combat, |
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(Summa Cum Laude w/ Dept. Honors) |
Clown, Jazz, Tap, Ballet, MT) |
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ON-GOING TRAINING | ||
Advanced Craft & Scene Study |
Martha Gehman |
Zak Barnett Studios |
(Co-Artistic Dir. of The Actors Studio) |
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Role Prep & Coaching |
JC Brandy |
Private Study |
Dialect Coaching |
Aaron Bluestein |
Private Study |
Voice Lessons & Sight Singing |
Gerald White |
Private Study |
ADDITIONAL TRAINING | ||
Improv I, II, III, & IV |
Andy Sloey |
The Improv Shop |
(Short & Long-form Improv) |
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Groundlings Style Improv |
Sean Hogan, Tim Johnson, David Jahn |
The Groundlings |
(Intro, Beginning, Int.) |
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Professional Auditions Track |
Scott Sedita, Debra Quayle |
Scott Sedita Acting Studios |
(Co-stars, Sitcoms, On-Camera) |
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On-Camera Immersives |
Carla Rosati, Annie Grindlay |
Annie Grindlay Studios |
(On-Camera, Commercials) |
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Commercial Technique |
200 South |
The Commercial Class |
(Adv. Commercial Technique, |
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Self Taping Techniques) |
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Commercial Technique |
ASG Casting |
Camera Left Stage Right |
(Commercial Improv) |
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AWARDS | ||
Best Actor |
Lindy Awards |
I Must Confess |
Best Actor |
Lindenwood Film Festival |
Exposure |
COMMERCIAL CONFLICTS AVAILABLE UPON REQUEST | ||
Physical Characteristics / Measurements |
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Height: 5'10" |
Weight: 175 lbs |
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Combat - Stage, Yoga, Firearms, Improvisation, Licensed Driver, Singer, Vocal Range: Baritone, American - New York Accent, American - Southern Accent, American - Standard/General Accent
Phillip is drawn to characters who read a room quickly & decide how to engage. He often plays perceptive young men navigating power, intimacy, & class, including conflicted heirs, decisive partners, observant outsiders, & romantic leads whose charm comes from intelligence rather than bravado. Classically trained & a former national-level athlete, Phillip works with precision & restraint. He also writes & develops character-driven stories, & enjoys bowling & weight training. Seattle-born, Los Angeles based.