GIL WEISSMAN
- NON-UNION
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SlateShot
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Résumé Print Résumé
Represented by: |
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Kreativ Media Partners (CA) 310-907-5735 / (646) 502-5806 |
THEATER (PARTIAL LIST) | ||
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A Business (2025) |
Boy Boss (Lead) |
New Theater Hollywood |
A Meerkat Tale-Workshop (2022) |
Pasha (Lead) |
Palo Alto, CA |
King Lear (2022) |
Lear (Lead) |
UCLA Shakespeare Co. |
Richard III (2020) |
Buckingham (Lead) |
UCLA Shakespeare Co. |
QUAD I & II (2020) |
Performer |
L.A. Opera Eurydice Fest |
The Successful Life of 3(2020) |
He (Lead) |
UCLA Dept. of Theater |
Guys And Dolls (2019) |
Nathan Detroit (Lead) |
Palo Alto High |
A Midsummer Night’s Dream(2018) |
Bottom (Lead) |
Palo Alto High |
Children of an Idle Brain (2018) |
Buddy (Supporting) |
A Theatre Near U Co. |
Venture:World Premiere (2018) |
Brian (Lead) |
Theatreworks NextGen |
Like, Like Like? (2017) |
Chris/Michael (Lead) |
A Theatre Near U Co. |
Lord of the Flies (2017) |
Sam (Supporting) |
The Pear Theatre |
FILM/TV | ||
Uphill Both Ways (2025) |
Lead |
Stranger Kind Productions |
Callbacks (Pilot) (2025) |
Lead |
dir. Sam Miller |
Something Awful (2023) |
Lead |
dir. Lucian Patton |
Obi Wan Kenobi (Series, 2021) |
Extra |
Disney Plus |
The Milk Movie (2021) |
Lead |
dir. Gil Weissman |
Juvenile Musings on Fear (2020) |
Lead |
dir. Max Rosenblum |
EDUCATION/TRAINING | ||
Bachelor of Arts, Acting |
UCLA School of Theater, Film, and TV |
Winter 2023 |
Meisner Acting intensive |
NYU Tisch |
Summer 2018 |
Company Member |
A Theatre Near U |
2015-2019 |
Company Member |
Playhouse Palo Alto |
2014-2019 |
Physical Characteristics / Measurements |
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Height: 5'9" |
Weight: 162 lbs |
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Combat - Stage, Squash, Swimming - ability - general, Weight Lifting, Comedian, Disc Jockey, Guitar, Guitar Bass, Improvisation, Licensed Driver, Tuba, Israeli Accent, Jewish/Yiddish Accent, Fluent Hebrew
Gil Weissman is an actor with training from UCLA’s School of Theater, Film & Television (B.A. in Acting) and the Meisner Studio at NYU Tisch. He has played leading roles across stage and screen, from Shakespearean classics like King Lear to contemporary projects such as Love, Rina., Uphill Both Ways, and Something Awful. His strength lies in playing weird and emotionally driven characters with a grounded style. Fluent in Hebrew and a professional bass player, Gil brings a wide breadth of skill to every role.