EMILY SOLO
- AEA
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Pirate Jenny from The Threepenny Opera - Emily Solo (Performance Video) Quicktime
with Everyman Repertory Theatre (Rockport, Maine)
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Dead Mom - Emily Solo (1 min cut) (Performance Video) Quicktime
with Dan Micciche, piano: Beetlejuice / Eddie Perfect
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Warm All Over - Emily Solo (Performance Video) Quicktime
with Dan Micciche, piano: The Most Happy Fella / Loesser
Résumé Print Résumé
ems@emilysolo.com |
www.emilysolo.com |
AEA |
NYC Theatre | ||
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Master Class |
Sophie |
Theatrelab |
The Artwork of the Future (Premiere) |
Najeen Teflo |
Fresh Squeezed Opera/HERE |
New York Stories |
Emma/Traffic Cop/Riley |
Mostly Modern/Opera America |
The Infinite Energy of Ada Lovelace |
Nanny |
New Camerata Opera/Dixon Place |
Regional | ||
Master Class |
Sophie |
Music Theatre of Connecticut |
Best Supporting Performer in a Play |
BroadwayWorld Nomination |
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Sunset Boulevard |
u/s Betty Schaefer |
A.C.T. of Connecticut |
Dir. Daniel C. Levine |
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Sunset Boulevard |
Mary & Others |
Music Theatre of Connecticut |
The Sound of Music |
Liesl von Trapp |
Charlottesville Opera |
A Christmas Carol |
Caroler, Music Captain |
McCarter Theatre Center |
Dir. Adam Immerwahr |
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Lend Me A Tenor |
Diana |
Music Theatre of Connecticut |
Jersey Boys |
Mary Delgado |
Music Theatre of Connecticut |
Oklahoma! |
u/s Gertie |
Charlottesville Opera |
Threepenny Opera |
Polly Peachum |
Everyman Repertory Theatre |
Hamlet |
Ophelia |
Camden Shakespeare Festival |
The Taming of the Shrew |
Bianca |
Camden Shakespeare Festival |
A Midsummer Night's Dream |
Puck |
SAS Performing Arts |
Alice in Wonderland |
Alice |
SAS Performing Arts |
The Friendly Hour |
Effie Voss |
Theatre Midwest |
It's A Wonderful Life: The Radio Play |
Sally Applewhite |
Iowa Stage |
TESLA (Premiere) |
Tommie |
SoBe Arts Miami |
La Bohème |
u/s Musetta |
Charlottesville Opera |
Readings/Workshops | ||
Lying to Spielberg by William Nabel |
Amy Neuberg (A nervous intern) |
Curtain Call |
Love Lessons by David Russell |
Emilia Lanier (A sexy Elizabethan poet) |
Everyman Repertory Theatre |
Crossing Over by Salzman & Brevoort |
Ensemble (An Amish hip-hop musical) |
ASCAP New Musical Theatre Fest |
Concert | ||
A Tribute to The Greatest Showman Tour |
Soloist |
Vienna Light Orchestra |
A Sondheim Tribute |
Soloist |
SAS Performing Arts |
From Century to Century (Premiere) |
Soloist |
Soapbox Gallery, Brooklyn |
Tony Awards Cabaret |
Soloist |
MTH Crown Center, Kansas City |
TV/Film | ||
L'alphabête noire |
Audrey | Lead |
Dir. Katherine Allen |
The Clock Painter |
Sara | Supporting |
Dir. Dylan Levine |
Knee High |
Kelsey | Supporting |
Dir. Marissa Vonn |
Plus One |
Rebecca | Supporting |
Dir. Neil Larson |
Web Series | ||
Trillo and Suede |
Opera Singer |
Trillo and Suede Productions |
Voiceover | ||
The Painting Speaks |
Voiceover |
Farnsworth Art Museum |
Commercial/Modeling | ||
Conflicts available by request |
Commercial Actor/Model |
National TV, Radio, Print |
Conflicts available by request |
Parts Model (Arm, Hand) |
Digital & Print |
Conflicts available by request |
Editorial Model |
Digital & Print |
Physical Characteristics / Measurements |
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Height: 5'4" |
Weight: 100 lbs |
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Devil sticks, IPA, Media-trained TV/Radio, Puns, Aerobics, Archery, Bowling, Combat - Stage, Fishing, Golf, Gymnastics, Hula Hoop, Jump Rope, Shooting - Revolver/Automatic, Shooting - Rifle, Soccer, Swimming - ability - general, Swimming - backstroke, Swimming - breast stroke, Swimming - freestyle, Tennis, Trampoline, Volleyball, Yoga, Clowning, Dance Acro, Dance Ballet, Dance Hip Hop, Dance Jazz, Dance Modern, Dance Swing, Dance Tap, Dancer, Firearms, Improvisation, Licensed Driver, Modeling, Piano, Singer, Vocal Range: Alto, Vocal Range: Soprano, Vocal Style: Belt, Vocal Style: Legit, Voiceover, American - Boston Accent, American - Minnesota Accent, American - New York Accent, American - Southern Accent, American - Texan Accent, British - BBC English Accent, British - Cockney Accent, French Accent, German Accent, Irish Accent, Italian Accent, Russian Accent, Scottish Accent
Emily Solo is a versatile singer/actress recognized for her performances in musicals, plays, opera and film. Praised for her “expressive soprano” (South Florida Classical Review), “movie star glamour” (CT Critics Circle), and “magnetic” voice (OperaWire), Emily thrives at the intersection of tradition and innovation onstage. She regularly performs and develops new works, having originated roles in numerous premiere productions nationwide. www.emilysolo.com