EMILY SOLO
- AEA
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The B!tchelorette at 54 Below (Legit Soprano/New Work) (Performance Video) Quicktime
Emily recently sang the first public performance of music from The B!tchelorette (by Alex Wakim / Gregory Jafari VanAcker) at 54 Below. Her earlier demo recordings of the piece assisted in the work receiving a 2025 IDEA Grant from Opera America.
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"Green Finch and Linnet Bird" - Sweeney Todd (Legit Soprano) (Performance Video) Quicktime
Like a caged bird herself, Johanna longs for a life of freedom and joy.
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"Pirate Jenny" - Threepenny Opera (Gutsy Traditional/Mix Belt) (Performance Video) Quicktime
In this version, Polly recounts the story of Pirate Jenny - and how she wishes to be like her - to her new mob husband Mack, and cronies.
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"Love Drugs Joe" - YOU (Not-So-Innocent Ingenue Monologue) (Performance Video) Quicktime
She's a really great wife. Or is she?
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Incident at...Perpetual Help (Funny, Direct Address Monologue) (Performance Video) Quicktime
Linda primes the audience for her kooky, Catholic memory play in this cut from the opening monologue of Incident at Our Lady of Perpetual Help.
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Lady Macbeth (Sexy, Ambitious Shakespeare Monologue) (Performance Video) Quicktime
Lady Macbeth summons the spirits necessary to get a bloody job done.
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Character and Dialect Reel (Performance Video) Quicktime
A compilation of some of Emily Solo's theatrical character and dialect work.
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"L'alphabete noire" - Film (Creepy Period Piece) (Performance Video) Quicktime
A short film series: 26 stories that lurk deep in our subconscious, that challenge us to find the beauty in what horrifies us most about ourselves.
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Résumé Print Résumé
Crossover Soprano | Opera, Musical Theatre, Plays & Film | ||
|---|---|---|
ems@emilysolo.com |
www.emilysolo.com |
AEA |
NYC Theatre | ||
Master Class |
Sophie |
Theatrelab |
The Artwork of the Future (Premiere) |
Najeen |
Fresh Squeezed Opera/HERE |
New York Stories |
Emma/Traffic Cop/Riley |
Mostly Modern Projects |
The Infinite Energy of Ada Lovelace |
Nanny |
New Camerata Opera/Dixon Place |
Regional | ||
Master Class |
Sophie |
Music Theatre of Connecticut |
Sunset Boulevard |
u/s Betty Schaefer (for Helen J. Shen) |
A.C.T. of Connecticut |
Sunset Boulevard |
Mary & Others |
Music Theatre of Connecticut |
The Sound of Music |
Liesl von Trapp |
Charlottesville Opera |
La bohème |
u/s Musetta |
Charlottesville Opera |
A Christmas Carol |
Caroler, Music Captain |
McCarter Theatre Center |
Lend Me A Tenor |
Diana |
Music Theatre of Connecticut |
Hamlet |
Ophelia |
Camden Shakespeare Festival |
The Taming of the Shrew |
Bianca |
Camden Shakespeare Festival |
Threepenny Opera |
Polly Peachum |
Everyman Repertory Theatre |
It's A Wonderful Life: The Radio Play |
Sally Applewhite |
Iowa Stage |
Readings/Workshops | ||
VESPA by Don DiNicola |
The Wasp Queen |
Old Stone House of Brooklyn |
Lying to Spielberg by William Nabel |
Amy Neuberg (A nervous intern) |
Curtain Call |
Love Lessons by David Russell |
Emilia Lanier (A sexy Elizabethan poet) |
Everyman Repertory Theatre |
Crossing Over by Salzman & Brevoort |
Ensemble (An Amish hip-hop musical) |
ASCAP New Musical Theatre Fest |
Concert/Cabaret | ||
"Everything" by Alex Wakim |
Soloist |
54 Below |
A Tribute to The Greatest Showman (Tour) |
Soloist |
Vienna Light Orchestra |
Tony Awards Cabaret |
Soloist |
MTH Crown Center, Kansas City |
TV/Film | ||
L'alphabête noire |
Audrey | Lead |
Dir. Katherine Allen |
The Clock Painter |
Sara | Supporting |
Dir. Dylan Levine |
Knee High |
Kelsey | Supporting |
Dir. Marissa Vonn |
Plus One |
Rebecca | Supporting |
Dir. Neil Larson |
Voiceover | ||
Where the Light is Brighter |
Voiceover |
Audiobook |
The Painting Speaks |
Voiceover |
Farnsworth Art Museum |
Commercial/Modeling | ||
Conflicts available by request |
Commercial Actor/Model |
National TV, Radio, Print |
Conflicts available by request |
Parts Model (Arm, Hand) |
Digital & Print |
Conflicts available by request |
Editorial Model |
Digital & Print |
Physical Characteristics / Measurements |
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|---|---|---|
Height: 5'4" |
Weight: 100 lbs |
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Developmental Works, IPA, Media-trained TV/Radio, Singing in French, Singing in German, Singing in Italian, Aerobics, Archery, Combat - Stage, Hula Hoop, Jump Rope, Shooting - Revolver/Automatic, Shooting - Rifle, Soccer, Swimming - ability - general, Swimming - backstroke, Swimming - breast stroke, Swimming - freestyle, Tennis, Trampoline, Volleyball, Yoga, Clowning, Dance Ballet, Dance Hip Hop, Dance Jazz, Dance Modern, Dance Swing, Dance Tap, Dancer, Firearms, Improvisation, Licensed Driver, Modeling, Piano, Singer, Vocal Range: Soprano, Vocal Style: Belt, Vocal Style: Legit, Voiceover, American - Boston Accent, American - Minnesota Accent, American - New York Accent, American - Southern Accent, American - Texan Accent, British - BBC English Accent, British - Cockney Accent, French Accent, German Accent, Irish Accent, Italian Accent, Russian Accent, Scottish Accent
Emily Solo is a crossover singer/actress thriving at the intersection of innovative and traditional works onstage. Praised for her “expressive soprano” (South FL Classical Review), “movie star glamour” (CT Critics Circle), "fascinating transformations" (Bangor Daily News) and “magnetic” voice (OperaWire), she brings new energy to beloved heroines, while also performing and developing new works nationwide. Nominated for Best Supporting Performer in a Play for Master Class (BroadwayWorld CT). www.emilysolo.com