Résumé Print Résumé
Represented by: |
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Baron Entertainment, Inc. (GA) (404) 913-2501 / (323) 969-1000 |
EDUCATION AND TRAINING | ||
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Juilliard |
Shakespeare Intensive |
2025 |
Shakespeare & Co. |
9-Day Intensive: |
2025 |
Text Work, Voice, Movement |
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Stage Combat, Dance |
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Workshopped: Richard (Richard III) |
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and Berowne (Love's Labor's Lost) |
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Stella Adler Studio of Acting |
Acting Technique 1 |
2025 |
Lee Strasberg Theatre Institute |
Method 101 |
2025 |
Private Acting Lessons |
Jackson Gay, MFA Directing, Yale |
2024 - 2025 |
The Barrow Group |
Stage Acting 1 & 2 |
2022 - 2023 |
Movement (Zombie) |
Walking Dead School |
2022 - 2023 |
Master of Arts: Journalism |
CUNY Journalism School |
2010 |
Bachelor of Arts: Soc. Sci. |
University of Washington |
2004 |
Theater Training |
Hoffman & Hoffman |
1993 - 1998 |
NOTABLE EXPERIENCE | ||
Shakespeare Showcase Performance |
Richard (Richard III), Sonnet 138 |
Shakespeare & Co. |
Behind-Camera Scene Work with Nicole Kidman |
“Babygirl” |
A24 |
On-Camera Scene Work with Carey Mulligan |
“She Said” |
Annapurna Pictures / Plan B |
Stand-In for Antonio Banderas |
“Babygirl” |
A24 |
Stand-In for Riz Ahmed |
“Relay” |
Alright Productions |
Stand-In for Felix Solis |
“The Friend” |
Big Creek |
“Under-Five” Roles |
“Saturday Night Live” |
NBC |
“Tennis” (Season 49, Ep. 5) |
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“Big Bench” (Season 49, Ep. 13) |
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“Beppo” (Season 50, Ep. 5) |
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Photo-Double for Mikey Day |
“Saturday Night Live” |
NBC |
"Midnight Momo" (pre-production) |
Supporting Role |
Dir. Tenzin Yeshi |
“Segunda Muerte” (pre-production) |
Lead Role |
Dir. Alexa Christian |
“Dennis World” (post-production) |
Lead Role |
Dir. Lee Koppel |
“Rat Catcher” (post-production) |
Supporting Role |
Dir. Gabriel Busaneli E Silva |
“Hand of My Mother” (post-production) |
Supporting Role |
Dir. Casiano Hamer |
“We're on the Verge of” (post-production) |
Supporting Role |
Dir. Jonesy Costa-Schmell |
“Trad Brad” |
Co-Star |
Dir. Andy Comeau |
“The Keeper” |
Day Player |
Dir. Angus Benfield / LAMA Ent |
“Shoutout 2 My Therapist” Season 2 (post-production) |
Guest Star |
Dir. Stefanie Philpott |
“Shooting Stars” |
Lead Role |
Dir. Bianca Grace Garcia |
“Tomatoes” |
Lead Role |
Dir. Jinny Jin |
“Last Memory” |
Lead Role |
Dir. Devin Park |
“Scam to Horror” |
Day Player |
Dir. Na-na Pyle |
“Hypothetically” |
Day Player |
Dir. J.P. Snell |
“35th Street Mission” |
Recurring Role |
0816 Studios |
Brief Confessions (Off-off Broadway) |
Co-Star |
Dir. Anthony Fusco / Duplex |
COLLABORATIONS | ||
Public Service Announcement (PSA) for NYC |
Supporting Role |
BIG Productions |
Acting Collaborator |
Columbia U., NYU, and Various Schools |
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Work with student directors on projects |
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Provide professional acting expertise |
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Participate in directing workshops |
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“Phantom Thread” Scene |
Lead Role |
Columbia | Nick Schoenbrodt |
“Big” Scene |
Lead Role |
Stony Brook | Katy Nelson |
“Pieces” |
Supporting Role |
Columbia | Alex Sigtenhorst |
“Hikaru to Helena” |
Supporting Role |
NYU | Junzhe Tang |
“Chauncey's Garden” |
Day Player |
NYU | Kyle James Wright |
Untitled Sketch Comedy |
Supporting Role |
NYU | Mia Makower |
“Therapy” |
Supporting Role |
NYU | Byron Lin |
ADDITIONAL EXPERIENCE | ||
Photo-Double for Emil Wakim |
“Saturday Night Live” |
NBC |
Stand-In for Hugh Dancy |
“Law and Order” |
NBC |
Stand-In for Mark Consuelos |
“Only Murders in the Building” |
HULU |
Physical Characteristics / Measurements |
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Height: 5'9" |
Weight: 133 lbs |
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Driver’s License, Stage Combat, Stand-In Experience, Valid U.S. Passport, Bowling, Combat - Stage, Jump Rope, Rollerblading, Running - Sprint, Scuba Diver, Scuba Diving, Snow Skiing - General, Swimming - ability - general, Tennis, Track & Field, Volleyball, Yoga, Chef - Pastry, Dance Hip Hop, Dance Line/Country, Dance Salsa, Dancer, Licensed Driver, Modeling, Teleprompter, Whistler, American - Standard/General Accent, Fluent Spanish
Bilingual actor with 10+ years of experience across television, features, shorts, and Shakespeare. Trained in Adler, Strasberg, Shakespeare, and stage combat. Workshopped roles include the psychological depth of Richard (Richard III) and the razor wit of Berowne (Love’s Labor’s Lost), showcasing versatility across genres and emotional range.