CHARLIE JAMES LOCKWOOD
- NON-UNION
-
SlateShot
-
SlateShot
-
SlateShot
-
SlateShot
-
SlateShot
-
SlateShot
-
SlateShot
-
SlateShot
-
SlateShot
-
SlateShot
-
SlateShot
-
A Soldier’s Son Clip (Performance Video) Quicktime
-
-
-
Two Bed Room (Performance Video) Quicktime
-
-
Mr Man’s Masquerade (Performance Video) Quicktime
-
-
Résumé Print Résumé
Represented by: |
---|
Artist Collective Entertainment (A.C.E.) (CA) 310-279-4457 Tassell Talent Group (TTG) (CA) (310) 614-2372 Tassell Talent Group (TTG) (NY) (770) 912-8742 |
TELEVISION | ||
---|---|---|
The Savant |
Recurring |
Apple Tv+ |
FILM | ||
Greetings From America |
Yohan Yühü |
Ryan Williams-Abrams |
A Soldier's Son |
Lead |
Caden Kramer |
We Do This All The Time |
Lead |
Adam Barish |
Alex and Me |
Lead |
Larry LeFever |
Is That All There Is? |
Supporting |
Ismah Khan |
Lotus Green |
Lead |
Gabriella Bartley |
Mustang Juni |
Supporting |
Noah Dillon |
Mr. Man’s Masquerade |
Lead |
Kristian Crowther |
THEATRE | ||
Luv Potion 69 |
Cassian |
Andrea Woodbridge |
Little Women |
Horrifying Man/Parrot |
Rose Callaghan |
The Bacchae |
Kadmos |
Cara Hinh |
Mrs. Packard |
Dr. McFarland |
Sara Santucci |
The Flick |
Sam |
Charlie Lockwood |
Matilda |
Ms. Trunchbull |
Chuck Manthe |
Shakespeare in Love |
William Shakespeare |
Chuck Manthe |
Pippin |
Pippin |
Chuck Manthe |
INDUSTRIAL | ||
Courage To Act: Rescue In Denmark |
Lead |
Alex Markman |
Physical Characteristics / Measurements |
||
---|---|---|
Height: 5'10" |
Weight: 170 lbs |
Acoustic Guitar, Audio Synthesis, Plunderphonic Musician, Combat - Stage, Yoga, Acoustic Bass, Chef, Comedian, Dance Modern, Dance Tap, Gamer (Console), Guitar, Impressionist, Improvisation, Singer, Teleprompter, Vocal Range: Bari-Tenor, Voiceover, American - Minnesota Accent, American - New York Accent, American - Southern Accent, Australian Accent, British - Cockney Accent
Acting offers a unique opportunity as an artist to step into a character's shoes and "go to bat" for them. Whether I am a villain or a hero, my approach to understanding the psychology of my role stays consistent. This practice of radical empathy is what drives me when analyzing new characters. My love for script analysis and taking my characters side led me straight from high school to Atlantic Acting School, where I mastered Atlantic's native "Practical Aesthetics" Technique.