Résumé Print Résumé
Represented by: |
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About Artists Agency, Inc. (NY) 212-581-1857 |
THEATER | ||
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Silence |
Ymma |
Webster University |
Romeo and Juliet |
Assistant Dir./Text Coach/Fight Captain |
Webster University |
A Bright Room Called Day |
Gotchling |
Webster University |
Sueño |
Clotaldo |
Webster University |
Listening to the Rain |
Thought #3 |
St. Louis Fringe Festival |
The Burial at Thebes |
Ismene/Chorus |
Webster University |
In Passing |
Chorus |
Webster University |
DuckAss |
Linny |
Webster University |
Revolt. She Said. Revolt Again. |
Actor C/Grandma |
Webster University |
FILM | ||
Cannibal of the Night |
Lead |
Jake Ward and Ryan Budd |
The Feltersons |
Lead |
Cami Lindauer |
TRAINING | ||
BFA — ACTING |
Webster University |
2024 |
Acting |
Rayme Cornell, Bruce Longworth |
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Movement |
Jef Awada |
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Voice and Speech |
Bruce Longworth, Joanna Battles |
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Stage Comabt |
Paul Steger |
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Dance |
Gretchen Stanton, Lois Enders |
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Voice Lessons |
Dr. Elizabeth Ducey-Moss |
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Piano |
Sue Martin |
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** ASL-American Sign Lanquage |
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Physical Characteristics / Measurements |
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Height: 5'6" |
Weight: 126 lbs |
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Crochet, Knitting, ASL (Intermediate), Conversational Spanish, Dungeons and Dragons, Foster Care Advocacy, Valid US Passport, Combat - Stage, Cycling, Jump Rope, Lifeguard, Martial Arts - Tai Chi, Ping Pong, Running - General, Swimming - ability - general, Swimming - backstroke, Swimming - breast stroke, Swimming - butterfly, Swimming - diving, Swimming - freestyle, Weight Lifting, Dance Jazz, Guitar, Improvisation, Licensed Driver, Piano, Teleprompter, Vocal Range: Alto, Vocal Range: Mezzo Soprano, Vocal Range: Soprano, Vocal Style: Belt, Vocal Style: Legit, Voiceover, Whistler, American - Boston Accent, American - New England Accent, American - New York Accent, American - Standard/General Accent, British - BBC English Accent, British - Cockney Accent, French Accent, German Accent, Irish Accent, Polish Accent, Russian Accent, Scottish Accent
Ashley Schwach is a determined, focused and ambitious performer who desires to use her platform to uplift stories that are often overlooked in the grand scheme of the theatrical world. She wants to use her own unique experiences in Foster Care to bring those social issues to the forefront of people’s minds. It is very important to her to work on pieces that help make theatre accessible and wants to highlight stories that people of all backgrounds are able to see themselves in; no matter how challenging