ARIELLE SIDNEY
- SAG-AFTRA Eligible
Résumé Print Résumé
Represented by: |
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Feral Talent Inc. (CA) 818-539-9955 Theatrical (Film / TV), Commercial |
Tv | ||
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Meisners on Meisner |
Self |
Rangiv Perera -Meisner Center |
Commercial | ||
Credit Card Commercial |
Principal |
Wieden + Kennedy |
Short Film | ||
Listen |
Lead - Millie |
Joanna Tan - Studio Gaelle |
The Conversion |
Supporting - Delilah (cashier) |
Carlton Withers Jr. -4th watch |
Feel Something |
Lead - Sunny |
Kayla Lanzalaco -Studio Gaelle |
Gossip |
Lead - Ellie |
Lucy Chen - USC |
Music Video | ||
Don't Say That by Ruel |
Dancer |
Jackie Zhou |
Theatre | ||
The White Rose |
Sophie |
Richard Brestoff - Nixon Theat |
Detroit 67 |
Bunny |
Margaret Kemp - Winifred Hall |
Ma Binu |
Lara |
Tolu Ekisola - Robert C. Theat |
Big River, The adventures of Huckleberry Finn |
Alice's daughter + Ensemble |
Doug Brook - South Bay MT |
She Kills Monsters |
Farrah + Ensemble |
Bruce McLeod - Lohman Theatre |
A midsummer's Night dream |
Peaseblossom |
Tom Gough - Lohman Theatre |
The Childrens Hour |
Martha |
Janice Bergmann - Smithwick Th |
Cinderella, Rodgers & Hammerstein |
Ensemble |
Milissa Carey - Smithwick Thea |
Gem of the Ocean |
Black Mary |
Tom Gough - Lohman Theatre |
Oh Dad Poor Dad! mama's hung you in the closet and i'm feeli |
Rosalie |
Tom Gough - Lohman Theatre |
Training | ||
Meisner 2 year program |
Ranjiv Perera |
Meisner Center |
Voice - Singing |
Ashlee Espinosa |
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Strasberg |
Richard Brestoff |
UC IRVINE |
Laban movement analysis |
Tom Gough |
Foothill College |
Uta Hagen |
Tom Gough |
Foothill College |
Tap, Jazz, Ballet, Waltz, Salsa, Hiphop, Zumba |
10+ years |
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Fashion Design Content Creation |
5 years |
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French Language |
Fluent |
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Physical Characteristics / Measurements |
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Height: 5'4" |
Weight: 150 lbs |
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Sewing, Painting
LA-based actor specializing in offbeat, emotionally grounded roles with dry humor and edge. Known for subtle, reactive performances as the smart outsider, sharp best friend, and the quietly intense character. Strong in TV drama and grounded dramedy, with a focus on restrained emotional turns and clear, listen-forward work.