ARIELA PINEDA SALGADO
- NON-UNION
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SlateShot
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Song - Quizás, quizás, quizás (Performance Video) Quicktime
Sultry, yearning, powerful, Latin standard, ballad Song - Quizás, quizás, quizás - Osvaldo Farrés
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Feisty Ingenue, Dramedy (Performance Video) Quicktime
Rom-com, silly, flirty, longing. Monologue - With Love - Gloria Calderon Kellet.
Résumé Print Résumé
THEATRE | ||
|---|---|---|
Pride and Prejudice or a Queer...Era |
Charlotte |
Theatre for the New City |
Men on Boats |
Seneca / Just Jim |
Pittsburgh Playhouse |
Everybody |
Everybody / Somebody |
Pittsburgh Playhouse |
Eurydice |
Stone / Eurydice (u/s) |
Point Park University |
Young Playwrights Festival |
Evolen |
City Theatre Pittsburgh |
The Sound of Music |
Liesl Von Trapp |
Teatro Nacional Manuel Bonilla |
Carmen |
Manuelita |
Teatro Nacional Manuel Bonilla |
FILM / VOICEOVER | ||
Five Wishes |
Lead |
Carnegie Mellon University |
Uprooted |
Lead |
University of Pittsburgh |
The Translator |
Lead |
University of Pittsburgh |
Stood Up |
Lead |
Point Park University |
Long Time No See |
Lead |
Point Park University |
How Was Your Day? |
Supporting |
Pittsburgh 48-Hour Festival |
The Angel |
Supporting |
RLM One Acts Festival |
COMMERCIAL | ||
Remitly Commerical |
Adriana |
Luminoustudios |
Bluey x CAMP Immersive Experience |
Performer |
CAMP NYC (Dir. Tom Salamon) |
CONCERT / CABARET | ||
Latinx and Hispanic Cabaret |
Soloist |
Bridges Theatre Company |
Equity Fights AIDS Cabaret |
Soloist |
Point Park University |
Concierto de la Amistad |
Ensemble |
Presidential House of Honduras |
TRAINING | ||
Point Park University - BFA Acting with Tech-Design Minor | ||
Anton Chekhov Text to Stage |
Kim Weild |
Carnegie Mellon University |
Active Analysis |
Cotter Smith |
|
Chekhov Technique |
Phil Winters |
|
Acting Studio: Etudes |
Milia Ayache |
|
Shakespeare |
Milia Ayache |
|
Acting for the Camera |
Jason McCune |
|
Scene Study |
Sharon Brady |
|
Stage Combat |
Sam Muñoz |
|
Viewpoints / Ensemble |
Sam Muñoz |
|
Alexander Technique |
Emily Sapa |
|
Suzuki Method of Actor Training |
Christopher Staley |
|
Laban Technique |
Jennifer Tober |
|
Fitzmaurice Voicework |
John Gresh |
|
International Phonetic Alphabet |
Amy Landis |
|
Linklater Voice Technique |
Erica Tolin |
|
Vocal Training |
LaraMcGill |
|
Emerson College Musical Theatre Pre-College Program | ||
Acting |
Scott LaFeber |
|
Acting Studio |
Kaitlyn Frank |
|
Movement |
Tyler Catanella |
|
Dance |
Jen Farrell |
|
MASTERCLASSES / INTENSIVES | ||
Dance and Movement Workshop |
Slowdanger |
Pittsburgh, PA |
Commedia dell' Arte and Clowning |
Gale McNeeley |
Pittsburgh, PA |
Physical Characteristics / Measurements |
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|---|---|---|
Height: 5'5" |
Weight: 130 lbs |
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Makeup Artistry, Combat - Stage, Swimming - ability - general, Swimming - freestyle, Tennis, Yoga, Clowning, Improvisation, Modeling, Singer, Stunts, Vocal Range: Mezzo Soprano, Vocal Style: Belt, Vocal Style: Legit, Voiceover, American - New York Accent, American - Southern Accent, American - Standard/General Accent, British - BBC English Accent, British - Cockney Accent, Spanish Accent, Fluent Spanish
Born and raised in Tegucigalpa, Honduras, Ariela trained and received her Acting BFA from the Conservatory of Performing Arts at Point Park Univeristy. She is an actress, singer, and teaching artist currently based in New York City. Deeply commited to her craft, she leads with passion and power on her path to becoming the first Honduran EGOT winner. Website: https://www.arielapineda.com/