ANYA KATHERINE JONES
Résumé Print Résumé
Professional Theatre | ||
|---|---|---|
Billy Elliot |
Signature Theatre (Matthew Gardiner) |
Susan Parks |
West Side Story |
Milton Theatre (Candice Castro) |
Velma (Anybodys u/s)* |
Wizard of Oz |
Timber Lake Playhouse (Chaz Wolcott) |
Glinda/Aunt Em (Ens. Swing)*+ |
Anything Goes |
Timber Lake Playhouse (Tommy Ranieri) |
Chastity |
Footloose |
Timber Lake Playhouse (James Beaudry) |
Ensemble |
Something Rotten |
Festival 56 (Jimmy Calitri) |
Robin (Portia u/s)** |
Footloose |
Festival 56 (Jennifer Hopkins) |
Ensemble (Ariel u/s)* |
Twelfth Night |
Festival 56 (Jennifer Hopkins) |
Ensemble |
Brothers of the Knight |
Warner Theatre (Debbie Allen) |
Ensemble |
**Associate Choreographer/Dance Captain |
||
*Dance Captain |
||
+Performed |
||
Educational Theatre | ||
An American In Paris |
Elon University (Alexandra Warren) |
Lise |
A Chorus Line |
Elon University (Jane Lanier) |
Laura (Judy u/s)* |
Merrily We Roll Along |
Elon University (Jacob Brent) |
Dory (Mary u/s) |
...Spelling Bee |
Metropolitan Theatre Company |
Marcy Park* |
Wonka |
Schlesinger Theatre |
Veruca Salt |
Performance and Dance Training | ||
Elon University BFA Music Theatre |
Class of 2026 |
|
Vocal Training |
Julie Celona-Vangorden, Crystal Mosser |
|
Acting |
Kevin Otos, Kim Shively, Matt Bassett |
|
Ballet |
Sara Tourek, Cherie Bower |
|
Tap |
Charles Renato, Jason Holley |
|
Jazz |
Rachel Dolan, Sara Hart, Courtney Liu |
|
Modern |
Roger Jeffrey, Eli Motely |
|
Physical Characteristics / Measurements |
||
|---|---|---|
Height: 5'6" |
Weight: 125 lbs |
|
ACE GX Instructor, AED/CPR, Dance Captain, Drivers License, Passport, Sign Language (basic), StageWrite, Swing
www.AnyaKatherineJones.com Anya Katherine Jones is a passionate, curious, and playful artist originally from Northern Virginia. Some of her favorite credits include West Side Story, Wizard of Oz, Footloose, Anything Goes, and Debbie Allen’s original musical: Brothers of the Knight. Her curiosity about how we can create a more inclusive art form has led her to spend years researching How Non-Dancers Interpret Dance as a Storytelling Method in Music Theatre.