AL BASTIN
Résumé Print Résumé
Represented by: |
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Pantera/Murphy, The Agency (NY) (212) 219-9330 / (212) 219-9332 Theatrical (Film / TV), Commercial, Theatre |
Theatre: | ||
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The Wolves |
#00 |
Center of Creative Arts (COCA) |
Big Machine |
Thomas Midgley Jr. |
Fly North Theatricals |
Charlie & The Chocolate Factory |
Mike TeeVee |
Arrow Rock Lyceum Theatre |
American Idiot |
Tunny |
Webster's Conservatory |
The Last Days of Judas Iscariot |
Butch Honeywell |
Webster's Conservatory |
Romeo & Juliet |
Friar Lawrence |
Webster's Conservatory |
Amelie |
Raphael/Bretodeau |
Webster's Conservatory |
The Gringo |
Shannon |
Fly North Theatricals |
A Bright Room Called Day |
U/S 4 roles |
Webster's Conservatory |
Recording/Film | ||
Hotter Than July |
Nico |
Dominic Deccico |
Bad Trip |
Lorne |
Logan Staggs |
Blinded |
Eva |
Wesley McCutchin |
Training: | ||
BFA: Acting |
Conservatory of Theatre Arts at Webster |
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Dance: |
Musical Theatre, Jazz, Tap |
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Piano |
Guitar |
Fencing |
Dialects: |
RP British, Cockney, Irish, Scottish |
Physical Characteristics / Measurements |
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Height: 5'6" |
Weight: 125 lbs |
Basketball, Combat - Stage, Fencing, Ice Skating, Roller Skating, Rollerblading, Shooting - Revolver/Automatic, Shooting - Rifle, Soccer, Softball, Swimming - ability - general, Swimming - breast stroke, Swimming - freestyle, Yoga, Cello, Clowning, Dance Jazz, Guitar, Guitar Bass, Improvisation, Licensed Driver, Piano, Singer, Ukulele, Vocal Range: Alto, Vocal Range: Tenor, Vocal Style: Belt, Voiceover, American - New York Accent, American - Standard/General Accent, American - Texan Accent, British - BBC English Accent, British - Cockney Accent, Irish Accent, Russian Accent, Scottish Accent
Al Bastin (they/them) is an energized and dedicated performer who passionately lends their curious perspective to all projects - from Shakespeare to new work! They are a singer and multi-instrumentalist - predominately guitar and piano, but dabble in all stringed instruments and music production. They aim to inspire an authentic sense of play in whatever they do, honoring the serious as much as the silly.