JED PETERSON
- AEA,
- SAG-AFTRA
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SlateShot
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SlateShot
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Performance Reel (Performance Video) Quicktime
Madam Secretary; Elementary; The 6th Degree; Strange Paradise; Left Bank Bookseller; Futurestates
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Foreign Language Reel (Performance Video) Quicktime
Clips in RUSSIAN & DUTCH Madam Secretary-Elementary-Furturestates
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Sizzle Reel (Performance Video) Quicktime
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Animation.Gaming Reel 1 (Audio Tracks) Quicktime
Résumé Print Résumé
Represented by: |
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Wright Talent Management (NY) (631) 495-7141 |
Film & TV | ||
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The Blacklist |
Mr. Krupin |
NBC |
Elementary |
Dutch Fake Cop |
CBS |
Madam Secretary |
Russian Foreman |
CBS |
Futurestates: Silver Sling |
Stepan |
Tze Chun |
Rubberneck |
Dad |
Benjamin T. Orifici |
Left Bank Bookseller |
Ezra Pound |
Lisa Reznik |
Shadow |
Felix |
Max Clark |
Dads (pilot) |
Joe (co-lead) |
Ted Nussbaum |
A Priori |
Vadim (lead) |
NYU MFA |
Web | ||
The 6th Degree |
Peterson |
my6thdegree.com |
Neverlanding |
Graham (lead) |
Neverlanding.tv |
Theatre | ||
The Importance of Being Earnest |
Jack / Gwendolyn (lead) |
NY Classical Theatre |
An Ideal Husband |
Sir Robert Chiltern |
Storm Theatre |
Entertaining Mr. Sloane |
Ed |
Gene Frankel Theater |
Thunder Rock |
Charleston (lead) |
Metropolitan Playhouse |
Dark Star From Harlem |
Pierre Pierre |
La MaMa |
CHEERS: Live On Stage |
Harry "the Hat" |
National Tour (original cast) |
Nureyev's Eyes |
Rudolf Nureyev (lead) |
Blue Barn Theatre |
Nureyev's Eyes |
Rudolf Nureyev (lead) |
Delaware Theatre Company |
Nureyev's Eyes |
Rudolf Nureyev (lead) |
American Stage Theatre |
The 39 Steps |
Richard Hannay (lead) |
American Stage Theatre |
Maverick |
Ron / Ed Muhl / Nicholas |
Cliplight Theatre |
The Importance of Being Earnest |
Jack (lead) |
Bagaduce Theatre |
Zorro! |
Zorro (lead) |
East Lynne Theatre |
Sherlock Holmes: Final Adventure |
Sherlock Holmes (lead) |
Tent Theatre |
Hard Times: An American Musical |
Stephen Foster (lead) |
The Cell |
The Irish Cell: Blood |
Sean MacDermott |
The Cell |
You Can't Take It With You |
Boris Kolenkhov |
Tent Theatre |
The Man of the Hour |
Thompson |
Metropolitan Playhouse |
Deconstruction |
Paul de Man |
Storm Theatre |
Our God's Brother |
Adam (lead) |
Storm Theatre |
Flirtation |
Fritz |
Marvell Rep |
The Right Number |
Matt |
Cherry Lane |
Morpho-Genesis |
Adam |
New World Stages |
Malfi, Inc. |
Louis Malfi |
Milk Can Theatre |
Freedom Train |
Jacob |
Theatreworks USA |
Nevsky Prospect |
Piskarev (lead) |
Studio Six |
Illyria |
Ensemble/Feste (u/s, perf.) |
Prospect Theater Company |
Galileo |
Ludovico |
Milk Can Theatre |
The Taming of the Shrew |
Lucentio |
Summer Theatre of New Canaan |
Fiddler on the Roof |
Fyedka |
Utah Shakespeare Festival |
A Cristmas Carol |
Ensemble/Future |
McCarter Theater |
King Lear |
Oswald |
Utah Shakespeare Festival |
Candida |
Lexy Mill |
Utah Shakespeare Festival |
Henry VI: Blood & Roses |
Bolingbroke/Ensemble |
Shakespeare Theatre of NJ |
Hamlet |
Player Queen |
Utah Shakespeare Festival |
Blue Moon |
Skip |
Woodstock Theatre Co. |
International and Other | ||
He Who Gets Slapped |
Roustabout |
Moscow Art Theatre |
When Grace Comes In |
Claw |
Sundance Theatre Lab |
TRAINING | ||
Moscow Art Theatre School |
(w/Oleg Tabakov) |
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Princeton University |
B.A. English, Theatre concentration |
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LaGuardia H.S. of Performing Arts |
a.k.a. the "Fame" school |
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School of American Ballet |
New York City Ballet |
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Special Skills | ||
Dance: Ballet, Tap, Jazz |
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Tumbling, Stage Fighting, Fencing, Juggling, Unicycling |
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Some Piano & Guitar, Russian Language, Dialects |
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Physical Characteristics / Measurements |
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Height: 6' |
Weight: 160 lbs |
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Baseball, Basketball, Combat - Stage, Cycling, Cycling - Unicycle, Fencing, Gymnastics, Running - General, Yoga, Dancer, Juggler, Magician, Mime, Piano, Singer, Vocal Range: Baritone, Voiceover, American - New England Accent, American - New York Accent, American - Southern Accent, Australian Accent, British - BBC English Accent, Canadian Accent, French Accent, German Accent, Irish Accent, Russian Accent, Scandinavian Accent, Scottish Accent, Fluent Russian
“Peterson brings an appealing naturalness” writes the NEW YORK TIMES regarding my work in the play THUNDER ROCK. Also "A tall, slim Jed Peterson gracefully incarnates his dual portraits of the dimwitted Diego and the foxy Zorro” from when I played ZORRO. My best work was playing Rudolf Nureyev in NUREYEV'S EYES (in 3 separate productions). One critic wrote "Peterson is a revelation…the ultimate characterization of Nureyev…not to be missed” and finally “He is the kind of actor you simply enjoy seeing on stage."