DIANA NORIS
- SAG-AFTRA
Résumé Print Résumé
FILM | ||
|---|---|---|
A Latina in DC |
Lead |
One Woman Shwo Films |
The Asylum |
Lead |
JC Films |
Jekka |
Sheriff Bowes |
Tremolous Pictures |
Bullet for Jesus |
Sage/Supporting |
Polestar prod. |
Sanctified |
Lorena/Supporting |
N.Swedlund/Canticle prod. |
The secret of cuck island |
La medica-Supporting |
Amazon/Rives Elliot |
The New Norm |
Keana |
Tubi/Laurie Vines |
I kill Demons |
Mary- Supporting |
Tubi/Shawn Cain |
Vampire Penance |
Claire-Supporting |
Amazon/John Reign |
Shriek Show |
Lily-Supporting role |
Amazon/Netflix/Brad Twigg |
A murderer upstairs |
Mary-Supporting role |
Amazon/Peacock/Jem Garrard |
Henri |
Maria -Supporting role |
Amazon/Tubi/Octavian Onuc |
The Rack Pack |
Mrs. Jenkins - Supporting role |
Amazon/Thomas Churchill |
Devil's Five |
Vala Schneider - Lead |
Amazon/PeacockTerry R. Wickham |
Krissy Belle |
Sofia - Supporting role |
Alyn Darnay |
The Confession |
Jenny Vazquez- lead |
Dir. Jonathan Vargas |
Lake Mead |
Donna - Supporting role |
Amazon/Jessica Chandler |
The ticket box |
Sophia - Supporting role |
Dir. Johnston Blakley |
Roller Dolls |
Shannon Diamond- Supporting role |
Dir. Phoebus Castle |
Pain and Gain |
Gym owner - uncredited |
Dir. Michael Bay |
Runner Runner |
Sandra Leon-- Supporting |
Dir. Brad Furman |
Caught in the middle |
Dianna - Supporting role |
Dir. Talina Adamo |
End of watch |
Maria - uncredited |
Dir. David Ayer |
Cuento sin hadas |
Murderer - Supporting role |
Dir. Sergio Briones |
Warm Bodies |
Zombie woman- |
Dir. Jonathan Levine |
The Wedding planner |
Wedding planner |
Dir. Matt Piedmont |
The Butterfly Warning |
Art Gallery owner- |
Dir. Giselle Legere |
The Rum Diary |
Ana Ramirez |
Dir. Bruce Robinson |
Quantum Savior |
Gloria Velen -Supporting |
Dir. Jonathan Vinazza |
The Games we play |
Veronica - Supporting |
Dir. Rhys Bendix-Lewis |
Deadly Honeymoon |
Cruise attendant |
Dir. Paul Shapiro |
The Scar crow |
Eva - Supporting |
Dir. Pete Benson |
Cuentos de amor y hadas |
lesbian - Supporting role |
Dir. Roberto Canales |
Shacles |
Blanca - Supporting role |
Dir. Charles Winkler |
Outrage |
Ana - Supporting role |
Dir. Morrie Ruvinsky |
Coralito tiene dos maridos |
Sofia - Supporting role |
Dir. Vicente Castro |
Televison | ||
American Detective season 4 |
Claudine Luera-Guest Star |
HBO/Discovery+/ID/Jupiter ent |
Sangre Negra |
Countess Natal - Supporting role |
Dir. Frank Pinnock |
Adoptable |
Tamara Kiggens - Supporting role |
Dir. Monty Miranda |
The Client List |
Masseuse - |
Netflix/Peacock/Allan Arkush |
1 minute horror |
Anabelle - Supporting role |
Dir. Shane Leary |
One moment |
Dottie - Supporting role |
Dir. Arlyn Guzman |
XXistence |
Adriana - Supporting role |
Dir. terry R. Wickham |
Training | ||
John Swambeck |
Scene Study, Scene Technique |
Los Angeles |
Tom Todoroff Conservatory |
Scene Study, Scene Technique |
New York |
Rorschach Theatre/Stage Combat |
Casey Kaleba |
Washington DC |
Self Tape Coach |
Kaz Santana |
Los Angeles |
Theatre |
Stella Adler Studio of Acting |
New York |
Acting coach |
Ika Santamaria |
Miami |
Acting Coach |
Stewart Salomon |
Miami |
Acting Coach |
Raul izaguirre |
Miami |
Sociedad Actorial Hispanoamericana |
Miguel Sahid |
Miami |
Acting Workshop |
Burt Reynolds Institute |
West Palm Beach |
Acting Coach Improv |
Gerald Owens |
Fort Lauderdale |
Ballet Advance |
Miami City Ballet |
|
Ballet |
Mendoza City Ballet Argentina |
|
Physical Characteristics / Measurements |
||
|---|---|---|
Height: 5'7" |
Weight: 120 lbs |
|
Aerobics, Cycling - Unicycle, Running - General, Weight Lifting, Yoga, Dance - Pole Dancing, Dance Ballet, Dance Modern, Licensed Driver, Voiceover, American - Standard/General Accent, French Accent, Spanish Accent, Fluent Spanish, Fluent Spanish - Mexico City
Diana Noris is a bilingual Puerto Rican actress, writer, producer, filmmaker, director, and visual artist currently based in Málaga, Spain. She is the founder of One Woman Show Films, an independent production company dedicated to developing bold, character-driven stories through a female and multicultural perspective. As a filmmaker, Diana is drawn to stories that blend humor with emotional honesty while exploring identity, relationships, reinvention, and the social and cultural pressures women face. Her work