ALEX SAVAGE
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Résumé Print Résumé
FILM | ||
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Butter Wouldn’t Melt |
LEAD |
Dir. Francesca Baer |
Likable |
LEAD |
Dir. Francesca Baer |
Her Space |
LEAD |
Dir. Francesca Baer |
Good Boy |
FEATURED |
Dir. Aidan Weaver |
Rebel, Rebel |
SUPPORTING |
Dir. Rhett Salerno |
Focal Point |
FEATURED |
Dir. Raphael Buisson |
UCSD Transportation Safety Instructional |
LEAD |
Dir. Sashank Kanchustambam |
VERTICAL | ||
My Mysterious Fiancé Is My Boss |
RECURRING CO-STAR |
Dir. Rui Xu |
Love as I Remember |
CO-STAR |
Dir. Xuan Liu |
Till Death Do We Part |
CO-STAR |
Dir. Andy Lee |
Second Chance, Second Baby |
CO-STAR |
Dir.Josie Andrews |
TV | ||
Real Murders of Atlanta |
CO-STAR |
Dir. Matt Mazany |
Justice For All |
CO-STAR |
Dir. Marty James |
GAMES | ||
Descent into Madness (Game) |
SUPPORTING |
Dir. Meg Farinsky |
Unminded (Game) |
SUPPORTING |
Dir. Alden Earlwood |
THEATRE (partial list) | ||
A Flea in her Rear |
EDUARD |
Potiker Theatre* |
Baal |
BAAL |
Arthur Wagner Theatre* |
Balm in Gilead |
JOHN |
Forum Theatre* |
Mr. Burns: A Post-Electric Play |
MATT |
Dir: Natalie Calderon |
Epicene: A Queer Extravaganza |
TRUITT |
Dir: Jesse Marchese |
Pia’s Adventures in Tlaxlandia |
QUEEN ELVIRUS |
Sanysidro PAC |
The Nether |
PAPA/SIMS |
Dir. Jim Short |
Napoli |
DOCTOR |
Potiker Theatre* |
Hamlet (Workshop) |
HORATIO |
Arthur Wagner Theatre* |
Mamma Mia! |
BILL |
Eagles Nest Theatre Co |
A Midsummer Night’s Dream |
BOTTOM |
Eagles Nest Theatre Co |
Jesus Christ Superstar |
ENSEMBLE |
Little Theatre of Alexandria |
Much Ado About Nothing |
FRIAR FRANCIS DOGBERRY |
Shakespeare Theatre Co |
*LaJolla Playhouse collaboration | ||
TRAINING & EDUCATION | ||
Education: |
UC San Diego Theatre (Magna Cum Laude) |
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Improv: |
UCB 101-301 (Toni Charline) |
UCB Improv Jams |
UCB Sketch + Self Tape (Chris Renfro) |
Comedy Intensive (Lesly Khan) |
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Bread Boyzzz Improv (Founding Member) |
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Acting: |
Shakespeare Summer Intensive |
Shakespeare Theatre Company |
Tool shop, On-going |
John Rosenfeld |
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Comedy Intensive, On-going |
Lesly Kahn |
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Viewpoints |
Kim Rubenstein |
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Clown Intensive |
Stephen Buescher |
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Chekhov & Freeing the Voice |
Ursula Meyer |
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Asian Acting Techniques |
Michelle Huynh |
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Brechtian Technique |
Maddie Williams |
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Shakespeare Classical Text |
Marco Barricelli |
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Meisner & Method |
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Stage Combat: |
James Newcomb |
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Staged Violence/Intimacy: |
Rachel Flesher |
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Voice: |
Tina Adams |
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Guitar: |
Michael Kendrick |
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AWARDS | ||
Best Supporting Actor in a Play |
CAPPIES |
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Diversity Scholarship |
UCB |
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Jorge Huerta Chicano Spirit Award |
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Cappies Recognition of Excellence |
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Odyssey of the Mind |
World Finalist, Virginia State Champion |
Physical Characteristics / Measurements |
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Height: 6' |
Weight: 165 lbs |
Costuming, Director, Dramaturg, Experimental Theatre, Local Hire LA/NY/DC, Paddleboarding, Props, Scenic Carpentry, Sound Design, Boxing, Combat - Stage, Cycling, Fishing, Jump Rope, Lifeguard, Swimming - ability - general, Swimming - butterfly, Swimming - freestyle, Wrestling, Chef - Sous, Gamer (Console), Guitar, Host, Improvisation, Licensed Driver, Teleprompter, Trumpet, Vocal Range: Bari-Tenor, Voiceover, American - Southern Accent, American - Standard/General Accent
Alex Savage: A young Gene Wilder meets an early career Alexander Skarsgard. Alex is an LA local hire, an extremely punctual one at that. A UC San Diego Theatre graduate, with credits from La Jolla Playhouse collabs to recurring costars in vertical content to even an upcoming AMC+ costar role. Coaching with John Rosenfeld and Lesly Kahn. Improv experience from UCB. A daily regime of boxing and biking to top it all off. Dedicated, energetic, and just the right amount of crazy for your project!