VITORIA DE OLIVEIRA
Résumé Print Résumé
The Woman Who Could Read the Minds of Dogs |
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ICE |
Lead |
V. de Oliveira & M.C. Da Costa |
Libetades, Libertés |
Lead |
Carmen Losa |
The Crucible by Arthur Miller |
John Willard |
The Irma Sandrey Theatre |
Dry Fall by Rebekah Raphling |
Carol |
The Irma Sandrey Theatre |
Dress Still Fits by Peter Pasco |
Tanya |
Theater For The New City |
CRAZY Beetlejiuce by Juan Pablo Diaz |
Lydia |
Teatro Europa |
Tarde en casa de dos mujeres sin nombre |
Yerma |
Teatro William Layton |
The Miser by Molière |
Mariana |
Teatro El Raval |
La Muerte by Jeffrey Dennis Smith |
Regina |
Nave 73 |
The Festivities by Chekhov |
Tatiana |
Teatro Blas de Otero |
Del Bosque en el Laberinto by Carmen Losa |
Lamberta |
Teatro William Layton |
La Casa de Bernarda Alba by Lorca |
Adela |
Teatro Alcobendas |
Flamesamba by Perla Gomes |
Rita |
Sala Mirador |
The Nightingale and the Rose by Oscar Wilde |
The Nightingale |
Teatro El Cresol |
Fuenteovejuna by Lope de Vega |
Jacinta |
Teatro El Raval |
Cena a tres by María Castillo |
Elena |
Microteatro por Dinero |
Guerra, Guerres by Fátima Agut |
María |
Teatro Sos Baynat |
La Fabrilla del Secreto Bien Guardado by Alejandro Casona |
Leonela |
Teatro El Cresol |
Physical Characteristics / Measurements |
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Height: 5'5" |
Weight: 142 lbs |
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Aerial Hoop, Catalan (ES) Language, Contemporary Dance, Heels Dance, Billiards/Pool Player, Bowling, Combat - Stage, Cycling, Fencing, Gymnastics, Ice Skating, Martial Arts - Jiu-Jitsu, Rollerblading, Running - General, Swimming - ability - general, Dance - Pole Dancing, Dance Hip Hop, Dance Jazz, Dance Samba, Dancer, Host, Improvisation, Licensed Driver, Voiceover, Spanish Accent, Fluent English as a second language, Fluent Portuguese, Fluent Spanish
Vitoria de Oliveira is a Brazilian-Spanish actress based in NYC. Trained at Laboratorio William Layton, Stella Adler, and The Lee Strasberg Theatre & Film Institute, she has over a decade of stage work in Spain and the U.S. Her debut feature is The Woman Who Could Read the Minds of Dogs, and ICE marks her directing debut. A Shakespeare lover with dance and Jiu Jitsu training, she approaches her craft with discipline, empathy, and a belief in art as transformative rebellion.