JORDAN E. GREEN
- NON-UNION
Résumé Print Résumé
Theatre | ||
|---|---|---|
Henry V |
Bardolf/Constable of France (Fight Cap.) |
Dir. Kit Wilder |
King Lear |
Gloucester |
Shut Up! It's Shakespeare |
People, Places, and Things |
Ensemble (Fight Cap.) |
Dir. Dr. Carolyn Coulson |
Comedy of Error |
Aemilia (Fight Choreographer/Fight Cap.) |
Shut Up! It's Shakespeare |
Taming of the Shrew |
Vincentio (Fight Cap.) |
Shut Up! It's Shakespeare |
Gothic Manor |
Swing |
Dir. Michael Knight |
The Curious Incident of the Dog in the Nighttime |
Ensemble, Understudy |
Dir. Scott Hudson |
Gothic Manor |
Alex U/S |
Dir. Michael Knight |
Song of Achilles |
Lycomedes & others |
Dir. Greg Keng Strasser |
The Tempest |
Sebastian & Trinculo |
Shut Up! It's Shakespeare |
Midsummer Night's Dream |
Mustarseed |
CFCArts Audiobook |
The Two Gentleman of Verona |
Pantino |
Shut Up! It's Shakespeare |
Love's Labour's Lost |
Nathaniel |
Shut Up! It's Shakespeare |
A Dream Play |
Chair of Inquiry & Others |
Dir. Kirsten Trump |
Much Ado About Nothing |
Ursula, Balthazar & Others |
Shut Up! It's Shakespeare |
Bye Bye Birdie |
Suzie |
Dir. Eric Yow |
The Pirates of Penzance |
Sister |
Dir. Donald Rupe |
Film | ||
Miss Valentine |
Stage Manager (Supporting) |
Dir. Blayne Weaver |
Physical Characteristics / Measurements |
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Height: 5'7" |
Weight: |
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Basketball, Baton Twirling, Bowling, Combat - Stage, Golf, Jump Rope, Swimming - ability - general, Trampoline, Volleyball, Yoga, Clowning, Dance Ballet, Dance Jazz, Dance Tap, Dancer, Improvisation, Singer, Ukulele, Vocal Range: Mezzo Soprano, Vocal Style: Legit, Voiceover, American - New York Accent, American - Southern Accent, American - Standard/General Accent, British - BBC English Accent, British - Cockney Accent, Irish Accent, Russian Accent, Scottish Accent
I’m a big girl with big energy from sunny Orlando, Florida. I’m also an avid reader, puzzle enthusiast, cat mom (and amateur photographer of said cat child), and Bingo Connoisseur! I love to bring my work to life not only through spoken word but also adding layers such as dialect work, movement, or combat. At the end of the day I find myself drawn to the stage and the stories that have yet to be told.