Résumé Print Résumé
Represented by: |
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Acclaim Talent Inc (TX) 512-784-6057 Theatrical (Film / TV), Commercial, Theatre, Voiceover, Modeling, Print, Hosting / Public Appearances |
Select Theatre Credits | ||
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FLEX / The Ensemble Theatre |
Donna Cunningham |
Dir. Rachel H. Dickson |
Antigone / TXST |
Antigone |
Dir. Jess Hawthorne Fiene |
Three Sisters / TXST |
Olga |
Dir. Michael Costello |
DeMaskUs aka Running / TXST |
CC |
Dir. Nadine Mozon |
Texas Shakespeare Festival | ||
The Hog Princess |
Myrtle (Title Character) |
Dir. DJ Canaday / TSF |
The Music Man |
Maud/Teen Girl Dancer |
Dir. Whitney Branan / TSF |
Nell Gwynn |
Old Ma Gwynn/Ensemble |
Dir. Sasha Hildebrand / TSF |
Film | ||
LUEUR (Short) |
LEAD |
Dir. Brynja Newman |
Break (Short) |
LEAD |
Dir. Jen Eguia |
Roses are Blue... (Short) |
LEAD |
Dir. Tavia Mariah |
Commercial | ||
Conflicts available upon request. |
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Workshops & Masterclasses | ||
Shakespeare Performance Intensive |
Shakespeare's Globe, London |
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Industry Literacy & Readiness |
Eugene Lee, Jane Kaczmarek, & |
John Benjamin Hickey |
Improvisation Intensive |
Upright Citizens Brigade |
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Training & Specializations | ||
Shakespeare Performance |
Charles Ney, James Garnon |
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Dialects, International Phonetic Alphabet |
Kate Glasheen-Dentino |
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On-Camera Technique & Performance |
Richard Robichaux, Tristan Spohn, & |
Logan Bruner |
Movement & Physical Comedy |
Nadine Mozon, Michael Costello |
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The Style (Actor's Gang) |
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RASABoxes |
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Physicalization |
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Realism |
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Practical Aesthetics |
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Devising Theatre |
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Voiceover |
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Musical Theatre Ballet |
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Web Series Development |
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Physical Characteristics / Measurements |
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Height: 5'8" |
Weight: 235 lbs |
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Basketball, Clowning, Host, Improvisation, Singer, Vocal Range: Alto, Vocal Range: Mezzo Soprano, Voiceover, American - New York Accent, American - Southern Accent, American - Standard/General Accent, American - Texan Accent
Seven years ago, Sydney Deone Cooper sobbed her way through an audition for "The Little Mermaid" and has continued to nourish her passion for authentic performance ever since. She's used her skills for good, turning Nicki Minaj's "Super Bass" into a Shakespearean Sonnet, and chaotically, using Beyoncé's "Partition" to portray a woman scorned. Recent credits include FLEX (Donna Cunningham), ANTIGONE (Antigone), and THREE SISTERS (Olga).