PATRICK PHILIP BECKER
- AGMA
Résumé Print Résumé
Represented by: |
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Heyman Talent (KY) (502) 589-2540 Theatrical (Film / TV), Commercial, Modeling |
Film | ||
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Wieland |
Vocalist for Soundtrack |
dir.: Cody Knotts |
Talons of the Phoenix |
Sgt. Kemper - Supporting |
dir.: Wesley Mello |
Lucid |
Alex - Supporting |
dir.: Mark Wilton |
Leap |
David (Father) - Supporting |
dir.: Andrew Maple |
Day Job |
Angelo / Mob Enforcer - Supporting |
dir.: Ben Helinski |
Theatre | ||
Grumpy Old Men the Musical |
Stan |
dir.: Chris Beiser |
At the Stroke of Midnight |
William Hawthorne |
dir.: Oliver Blatt |
I Left My Heart: A Tribute to the Music of Tony Bennett |
Tenor 2 |
dir.: Oliver Blatt |
Game Show |
Troy Richards |
dir.: Oliver Blatt |
A Midsummer's Night Dream |
Theseus |
dir.: Meredith Bean McMath |
Sweeney Todd (Semi-Staged) |
Pirelli |
dir.: Thomas Wesley Douglas |
Opera (selected roles) | ||
Carmen |
Le Remendado |
dir.: Louisa Jonason |
Les Contes d'Hoffmann |
Spalanzani, Frantz, Piticchinaccio |
dir.: Louisa Jonason |
Die Zauberfloete |
Monostatos |
dir.: James Bobick |
Die Entfuerung aus dem Serail |
Pedrillo |
dir.: James Bobick |
Cosmic Ray and the Amazing Chris |
Cosmic Ray |
dir.: Alex Enyart |
Don Giovanni |
Don Ottavio (Cover) |
dir.: William Ferrera |
The Red Mill |
Christian Van Damme |
dir.: Felicity Ann Brown |
The American Maid |
Jack Bartlett |
dir.: Elaine W. Kass |
Die Lustige Witwe |
Raul de St. Brioche |
dir.: Meredith Bean McMath |
Die Fledermaus |
Dr. Blind |
dir.: Art Martone |
Physical Characteristics / Measurements |
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Height: 5'10" |
Weight: 158 lbs |
Eyes: Green |
Hair Color: Black |
Hair Length: Short |
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French-Interm. skill, German-Interm. skill, Italian-Interm. skill, Jump Rope, Weight Lifting, Improvisation, Licensed Driver, Piano, Singer, Vocal Range: Bari-Tenor, Vocal Range: Baritone, Vocal Range: Tenor, Vocal Style: Belt, Vocal Style: Legit, Whistler, American - Southern Accent, British - BBC English Accent, British - Cockney Accent, French Accent, German Accent
Patrick Philip Becker started his journey as a jazz saxophonist and clarinetist and segues into singing opera professionally. From there, he expanded and shifted his focus to more theatrical, film, and television projects. His focus are on characters that are warm and empathic, yet can filter into callous and off-kilter.