MATT MERCER
- AEA
Résumé Print Résumé
Represented by: |
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BBR (Brady, Brannon & Rich) (CA) (323) 852-9559 Commercial, Print |
Film | ||
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Contracted |
Riley (Lead) (also Co-Producer) |
dir. Eric England |
Madison County |
Will (Lead) |
dir. Eric England |
Auteur |
Bruce (supporting) |
dir. George Cameron Romero |
Geek USA |
Matt (supporting) |
dir. Brandon Walz |
Kessler's Lab |
Daniel (Lead) |
dir. Brenda Urquhart |
The Poisoning |
Matt (Lead) |
dir. Zac Eglinton |
Few Options, All Bad (with Kenny Johnson, Rainn Wilson) |
Young Man (supporting) |
Kingswood Productions/G. Pappy |
Thule (with Noel Fisher, Scott Eastwood) |
Page (supporting) |
dir. Robert Scott Wildes |
Pincushion |
John (lead) |
Red Foot Ent/Steve Sprinkles |
Copycat (aka Diary of a Serial Killer) |
James Wynorski (supporting) |
Lionsgate/MRG/dir. Andy Hurst |
Countdown: Armageddon |
Lavi (supporting) |
The Asylum/dir. Adam Silver |
They Came From Outer Space |
Justin (Lead) |
1066 Pictures Inc. |
In/Significant Others |
The Traveler (supporting) |
Poplar Street/Fourth Ward |
Popped |
Jeremy (Lead) |
Numbered Films |
Among Brothers |
Ethan (Lead) |
Fourth Ward Pr/Vanguard/Oasis |
Four Cent Carol |
Bob (lead) |
dir. Rob Steiner |
The Rug |
Frankie (Lead) |
Palomino/Independent |
Malefactor |
Jacob (Lead) |
Thirty Ought Six Films |
Guy in the Paper |
Duncan (Lead) |
Dassani Bros. Productions |
Television | ||
Improv Everywhere (the series) |
Peanut Guy (guest star) |
NBC/Pilot Dir. Charlie Todd |
Dominion Street |
Mark (guest star) |
Spec Pilot/Dir. Rachel Grissom |
Commercials | ||
Available upon request. |
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New Media | ||
Quantum |
Kevin (lead) |
GamecentricMedia/Poya Pictures |
Theatre | ||
Big Love |
Piero |
TU Studios North Hollywood |
Coffee With God |
Kal |
Sargent Theatre |
The Winter's Tale/Midsummer in rep |
Autolycus/Demetrius |
Theatre Row - ShakespeareNYC |
Rosencrantz and Guildenstern are Dead |
Guildenstern |
Flatiron Playhouse |
Kitchen Sink |
Billy |
Cherry Lane Thtr- FringeNYC |
Jason and the Argonauts |
Jason |
National Tour- TheatreWorksUSA |
Hangman |
Jackson Martin |
Epiphany Theatre Company |
Hart |
Richard Rodgers |
Manhattan Theatre Club |
Long Bien Jail (LBJ) |
Kristoffersen |
Harlem Theatre Company |
The Balcony |
Beggar/Slave |
PATP (dir. Michael Sexton) |
Master Harold and the Boys |
Harold (understudy) |
PlayMakers Repertory Company |
Antigone |
Haimon |
Studio 3 (dir. Julie Fishell) |
Education | ||
University of North Carolina - Chapel Hill | ||
Acting |
David Hammond, Julie Fishell, Ray Dooley |
James Seymour, Jeff Cornell |
Voice and Movement |
Bonnie Raphael and |
Craig Turner |
BADA - British American Drama Academy, Oxford University | ||
Modern |
Ian Wooldridge |
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Shakespeare |
Jonathan Cullen |
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Movement and Voice |
Mick Barnfather and |
David Willis, Kate Godfrey |
Audition Technique |
Bill Homewood |
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Masterclass Performances with: |
Fiona Shaw, Alan Rickman, Julian Glover |
John Barton, Henry Goodman, |
Paul Rudd, David Leveaux, Maria Aitken |
Deborah Warner, Jane Lapotaire |
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Shakespeare |
Jonathan Cullen |
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Movement and Voice |
Mick Barnfather and |
David Willis, Kate Godfrey |
Audition Technique |
Bill Homewood |
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Masterclass Performances with: |
Fiona Shaw, Alan Rickman, Julian Glover |
John Barton, Henry Goodman, |
Paul Rudd, David Leveaux, Maria Aitken |
Deborah Warner, Jane Lapotaire |
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Official Website | ||
www.matt-mercer.com |
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Physical Characteristics / Measurements |
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Height: 5'11" |
Weight: |
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Bartender, Triathlete, Combat - Stage, Cycling, Scuba Diving, Snorkeling, Snow Skiing - General, Swimming - ability - general, Swimming - backstroke, Swimming - breast stroke, Swimming - butterfly, Swimming - freestyle, Licensed Driver, Vocal Range: Baritone, American - Southern Accent, British - BBC English Accent, British - Cockney Accent, French Accent, Irish Accent, Russian Accent
"The key to the film's success is the fine work by lead actor Matt Mercer, who conveys a winsome congeniality that masks his characters darker impulses." -Matt Brunson, Creative Loafing ------------------------------------------- "Mercer is especially believable as Ethan, who manages to bring sympathy to a character most people would have little trouble sending to the gas chamber. It's his performance that keeps Among Brothers from becoming maudlin or preachy." -Pete Vonder Haar, Film Threat---------------