MARK CARAPEZZA
- SAG-AFTRA
-
-
-
host, comedy (Performance Video) Quicktime
-
drama, hero (Performance Video) Quicktime
-
-
Résumé Print Résumé
VISIT: markcarapezza.com | ||
|---|---|---|
FILM | ||
Locked In |
Lead |
Kevin Hoffer |
Turning Two |
Lead |
Jim Malone |
Larry, the Movie |
Lead |
Bootleg |
O.G. Kush Boys |
Lead |
StreetStars |
Dead Man on Campus |
Principal |
MTV/Paramount |
Oleana |
Featured |
Bay Kinescope |
On the Slope |
Principal |
Steele Plant |
TELEVISION | ||
Evil, I |
Guest Star |
Discovery, ID |
Oliver Diamond! |
Host |
Shadow Productions |
THEATER | ||
Mutual Philanthropy |
Lead |
EST/LA |
The Director |
Lead |
Evan Bergman |
Over the River & Through the Woods |
Lead |
Jane Karakula |
Tartuffe |
Title |
Frank Bradly |
It's A Wonderful Life |
Lead |
Laura Ghallager Byrne |
The Glass Menagerie |
Lead |
Henry Swanson |
Beyond Therapy |
Tom/Phyllis/Leslie |
Mark White |
View of the Harbor |
Lead |
David McCandless |
SKILLS | ||
Magic |
Guitar |
Singing |
Motorcycle Riding |
||
TRAINING | ||
Adler Scene Study |
Advanced |
Aquila Morong Studio, LA |
UCB |
Graduate |
UCB/West |
Meisner Scene Study |
Advanced |
T. Shreiber Studio, NYC |
Screen Technique |
Master |
Kelly Kimball, NYC |
Prestidigitation |
Professional |
Autodidact |
Groundlings |
Levels 1&2 |
Groundlings LA |
Physical Characteristics / Measurements |
||
|---|---|---|
Height: 5'11" |
Weight: 165 lbs |
Eyes: Green |
Hair Color: Brown |
Hair Length: Short |
|
Balloon Art, Magic, Football, Golf, Tennis, Yoga, Guitar, Harmonica, Host, Improvisation, Licensed Driver, Magician, Motorcyclist, Percussion, Singer, American - Boston Accent, American - New England Accent, American - New York Accent, American - Southern Accent, British - Geordie Accent
“Carapezza’s spot-on depiction is what makes this play so reachable...” - Over the River and Through the Woods, Joel Silverstein, Inquirer and Mirror “I would have liked to have seen more of the criminally underused Mark Carapezza.” - Ross McDonagh, Metro herald “Carapezza is someone who could truly brighten the future of drama.” - Sandy McDonald, Boston Globe, London Theater Times, NY Times Theater